A Quote by John Krasinski

Keeping it real is the key and I don't know how they've done that week after week. I think the key is that everybody can sort of empathize with [The Office]. — © John Krasinski
Keeping it real is the key and I don't know how they've done that week after week. I think the key is that everybody can sort of empathize with [The Office].
On Sundays, I like to plan how I want to exit the week and what are the key things I need to get done that week. I list them, and then I do check-ins on them each morning.
The scientific evidence of how serious this climate crisis is becoming continues to amass week after week after week.
WrestleMania is a week-long series of events, and the logistics of executing that week along with the week leading into it and the week after it are extraordinarily difficult in our own back yard.
Every soul confined in a prison of sin, guilt, or perversion has a key to the gate. The key is labeled “repentance.” If you know how to use this key, the adversary cannot hold you.
It's very trying on a marriage when you're doing a one hour show, week after week after week. You don't have enough time for people that maybe you should have top priority.
I don't know the key to success, but the key to failure is trying to please everybody.
Obviously, everybody wants to see Tiger [Woods] come back, but I think it's in a really good place with how much talent is out there and the exciting finishes you have, week in, week out.
I know how to make an audience laugh, 'cause I grew up on Third Rock from the Sun, week after week in front of audiences, making them laugh.
I lift weights in the offseason about four times a week; during the season, I'll lift three times a week. The weight training is key because most guys come in during the summertime as strong as they are going to get, and they fizzle down as the year starts.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
The Chili Peppers have a real strict two-week on/two-week off policy - aside from me, everybody has families.
It is kind of tedious after a while, to parse politicians doing the same thing over and over again. The facts change from week to week, but the sort of masquerade doesn't.
The key to doing 8 shows a week is endurance, stamina.
Women are dealing with the same thing: they're dealing with expectations about how they're supposed to look and how they're supposed to interact with men. I think we're all trying to figure it all out, especially when we're teenagers, but I think the key is to listen and empathize with one another.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
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