A Quote by John Krasinski

Directing was a great experience, but it's terrifying to have the responsibility of carving up the other actors' performances. — © John Krasinski
Directing was a great experience, but it's terrifying to have the responsibility of carving up the other actors' performances.
I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
When we see that we are not made up by the other's experience, we then have the capacity not to take responsibility for what is now genuinely and for the first time not ours. And as a result, we can get just as close to the other's experience (even the other's experience of how dissapointing, enraging, or disapprovable we are!) without any need to react defensively to it or be guiltily compliant with it.
I don't know what directing actors is all about apart from just casting well and then shaping their performances a bit, you know.
What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
I can see it in even great actors' performances, when they're phoning it in.
I love directing actors. In the last few years, I have started expanding my directing into workshops for actors who truly want to grow and learn. My mom was a high school drama teacher, and teaching makes me very happy. My workshops are nurturing.
In film, other actors' performances really are not your concern. If the other actor isn't giving you what you want, act as though he were.
Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
I always think that the deal, once I do the script, sort of the experience I go through writing, which is everything you can imagine, but I always think it's the one thing I can do when I'm directing is say is that it's all about the actors, that I can say, 'We're all here to serve the actors.'
To subdivide this land into two unstable, insecure nations, to try to defend what is indefensible, is to invite disaster. Carving Judea and Samaria out of Israel means carving up Israel.
I remember thinking, 'I can't act.' Pretending to be someone else is a terrifying thought. The thing was that, along with other people, I could create a whole world. I felt absolutely right directing.
People often look up to actors. It is not right on their part to do songs whose lyrics are not good. Actors have social responsibility.
The first fundamental of successful city life: People must take a modicum of responsibility for each other even if they have no ties to each other. This is a lesson no one learns by being told. It is learned from the experience of having other people without ties of kinship or close friendship or formal responsibility to you take a modicum of responsibility for you.
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