A Quote by John Krasinski
Probably the biggest challenge for me as a director was to not show how scared I was. I was surrounded by some of the most talented people in the industry, and I had to pretend I knew what I was doing.
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Most people would say safety was my best position. To me, the biggest challenge and most gratifying thing I got out of playing football was playing corner, because it was a bigger challenge than playing safety. Playing corner provided me my biggest thrills and my biggest headaches.
I'm realizing the more jobs I do and as my career goes on that there seems to be a theme of choosing the things I'm most scared of doing in a weird way. I've never really taken a job and not been scared of some sort of aspect of it. It's the challenge of it, I think.
The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.
We knew that, in doing something that's based around the world of the movie and how popular that is, we really wanted to do the biggest show that we've ever done, in terms of the look of the show.
I had to learn that I'm not that special. I may be talented, but I'm not the most talented in the world. And some of the most talented players don't even make it.
I'm always surrounded by smart talented people. I had talented partners. Stan Latham for one. Talent scouts.
We have some extremely talented people that we've ripped off the Broadway stage. It's awe-inspiring how talented they are, and how can-do they are. They're at that stage of life where it's like, "Yeah, let's put on a show!" That's really fun to watch.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
My dad's a lighting director. Growing up in Hollywood, I was around the entertainment industry all the time. I knew I'd end up in show business in some capacity, eventually.
The show was called 'Jean-Paul Sartre and Ringo.' Bonnie Hunt was in the cast and she made the biggest impression on me. That show just blew me away. I couldn't believe these people were doing this. So that had a big effect on me.
I always knew I wanted to be an actor. I was talented in college but not the most talented. But I knew I wanted to do it, and that intention got me there and kept me there.
Many people, including myself, thought of Jobs as an inventor, an Edison-like figure, but he wasn't. I did a documentary on James Brown recently; and, oddly, I found a lot in common between Jobs and Brown. Jobs was also a fantastic performer, put on an extraordinary live show at his product launches, but he could also be ruthless, cruel and totally self-aggrandizing. And just as Brown surrounded himself with the very best musicians, Jobs understood the importance of hiring the absolutely most talented people and knew how crucial they were to the success of what he was trying to do.
I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
I have a lot of mental issues that I just am so fearful of things, which I shouldn't be, right? Scared of heights. Scared of buildings falling on me. Scared of the dark. Scared of crowds. Those are my biggest issues. I'm just scared of people. It's just - in general.
In Hitchcock's movies you can see the storyboards and that's cool. It's nice to see a filmmaker be that prepared. Most filmmakers today have their heads up their ass, they're not nearly that prepared. He obviously had a right to say this is what I want and this is how we're doing it, because he was ready. Some filmmakers show up on the set and they don't know what they're doing. So then everyone has ideas and that makes a bad situation too. Be a director who's completely in control and yet no one knows it.
As an actor, I had the most power than I've ever had before, because I was able to create and arc and pursue that idea fully, because as every new director that came on, no one knew 'Hanna' like I knew 'Hanna.' That is something that I knew inside me.
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