A Quote by John Krasinski

David Foster Wallace, in my opinion, is one of the greatest writers we've ever had, certainly in the last twenty years. His obvious dominance of the English language is partnered with honest moments and the most beautifully dark sensibility.
Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.
You don't have to write like David Foster Wallace or James Baldwin or Maggie Nelson - indeed, you shouldn't. Those writers are doing it better than you ever could.
Writers such as Richard Powers and the late David Foster Wallace have shown the path to a newer generation of writers for whom all national boundaries are quaint curiosities.
Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was “a way out of loneliness.” (NY Times article on the memorial service of David Foster Wallace.)
Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.
I'm influenced by Jennifer Egan, Dave Eggers, David Foster Wallace: writers who are often not content to just stack paragraphs and have to break out of that.
It's true of so many fiction writers that I much prefer the essayistic work they did, whether it's David Foster Wallace's, or John Cheever's, or Nathaniel Hawthorne's.
I like writers who seem to write because they have to. You get the feeling of this burning desire to tell a story. I find it in Peter Carey, Nicola Barker, Ali Smith and David Foster Wallace.
While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find.
Work ethic and this determination is all part of escaping the depressive side. Of course I'm manic depressive, maybe not to the degree that Exley was, but I think all writers are. There are highs and lows. Look at David Foster Wallace.
I love those adult writers with the pranking ethos, [Don] DeLillo and [Donald] Barthelme and David Foster Wallace. I don't see any reason not to bring those kinds of influences to bear on books for children.
David Foster Wallace is a big idol of mine. His writing is so clear that for years I'd read him and think, My God, he is actually writing the way I think. He's describing the thoughts in my head. And then I realized, No, wait. He's just such a good writer, so transparent and articulate, that when he describes his thoughts, I think they're my own.
Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning
I'm ashamed and embarrassed to say that I've read very little of David Foster Wallace's work. It's a huge gap in my education, one of many.
I am in that everything [ David Foster Wallace] writes is pretty much the best stuff I've read, so that makes me a fan I guess.
Bill Paley is not only the greatest boss I ever had, but he's the most brilliant, honest and warm human being I've ever met. And I'll say that to his face - even if it costs me my job.
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