A Quote by John Krasinski

Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact. — © John Krasinski
Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal.
the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.
When you're picking up and moving, it does create... well, I can sleep anywhere, which is really useful, it turns out, on movie sets. But what it really does is teach you how to adapt and change and fit into a new group or school, and that really is a lot like turning up to a new movie project and finding your place.
I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.
I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.
I spent most of my high school years on movie sets and I'd have like one teacher, which was really bad.
I've never seen a movie director who was happier to be directing a movie than Dave [Mamet]. His sets, everyone who's ever been involved with one of them will tell you of the funnest, funniest sets you can be on.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
A movie contains literally tens of thousands of ideas. They're in the form of every sentence; in the performance of each line; in the design of characters, sets, and backgrounds; in the locations of the camera; in the colors, the lighting, the pacing.
Twitch is a platform. Switch it on, and you'll find thousands of channels of pure gameplay rolling around with people talking in the background. Dig a little deeper, and you'll also find people talking on camera, with sets built like an actual talk show, and schedules of events posted at the bottom of the web page.
I bizarrely think that this [Sin City] is the perfect date movie. If a guy took me on a date to see this movie, I would marry him, for sure. It's bad-ass chicks and rad dudes, who are sexy, all over the place, and there's so much cool action.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
This site uses cookies to ensure you get the best experience. More info...
Got it!