A Quote by John Kricfalusi

Modern animated movies are the products not of anyone’s individual vision, but rather a scattered accumulation of compromises made out of fear by members of large committees.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
We're mathematically past the point where the accumulation of individual actions can add up quickly enough to make a difference. The individual action that actually matters is not being an individual. It's joining together with other people in groups large enough to change the political dynamic around climate change.
Any group or "collective," large or small, is only a number of individuals. A group can have no rights other than the rights of its individual members. In a free society, the "rights" of any group are derived from the rights of its members through their voluntary individual choice and contractual agreement, and are merely the application of these individual rights to a specific undertaking... A group, as such, has no rights.
Mainstream animated movies are dumbed-down and sanitised: they make the world in their own image rather than exploring the limitless possibilities that are out there.
The Nobel award occasions a unique celebration of the vision of science by the public at large. The prestige the prize confers today is largely due to the extraordinary diligence of the Nobel committees.
Movies are always made by committees, and the writer is not at the head of the committee. Thus, mush.
Thousands of members of Congress have come and gone over the years, their individual achievements hidden in committee reports, private compromises, amendments pushed through or blocked, and innumerable, unnoticed meetings.
If we are to survive, we must have ideas, vision, and courage. These things are rarely produced by committees. Everything that matters in our intellectual and moral life begins with an individual confronting his own mind and conscience in a room by himself.
And you can really see in all of these issues that are priorities for Eleanor Roosevelt, where the compromises are painful, the compromises are hard, and the difficulties between them really begin to loom very large by 1936, by 1938.
I think ultimately audience members like to see someone controlling the quality of a film. A lot of films you see are made by committees and studios and producers.
We are focused on features, not products. We eliminated future products that would have made the complexity problem worse. We don't want to have 20 different products that work in 20 different ways. I was getting lost at our site keeping track of everything. I would rather have a smaller set of products that have a shared set of features.
Individual NRA members, black and white, are publicly questioning why the organization has virtually nothing to say about Philando Castile. Just like with background checks - which most NRA members support - the NRA is out of step with its own members.
I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
Committees are, by nature, timid. They are based on the premise of safety in numbers; content to survive inconspicuously, rather than take risks and move independently ahead. Without independence, without the freedom for new ideas to be tried, to fail, and to ultimately succeed, the world will not move ahead, but rather live in fear of it's own potential
Nobody sets out to make a bad film, but so many of those compromises are made and often they're made because of vanity, pride and ego.
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