A Quote by John Kricfalusi

Cartoonists are untrained artists, while illustrators are more trained. — © John Kricfalusi
Cartoonists are untrained artists, while illustrators are more trained.
The popular eye is not untrained; it is only wrongly trained - trained by inferior and insincere visual representations.
There is no fear. There are only two things. Trained and untrained.
The only people left in America who seem not to be artists are illustrators.
Bad music is often the result of an attempt by the untrained, something that takes for granted that you're very highly trained.
I've always been drawn to artists who paint for the everyday person. I love the American illustrators.
There is a continual exchange of ideas between all minds of a generation. Journalists, popular novelists, illustrators, and cartoonists adapt the truths discovered by the powerful intellects for the multitude. It is like a spiritual flood, like a gush that pours into multiple cascades until it forms the great moving sheet of water that stands for the mentality of a period.
Some people think that movements, such as the movements in ballet, are a higher cultural expression, whereas some are just dirt. I think it is elitist to think that a trained movement is more acceptable than untrained and possibly unrehearsed movements.
There is nothing which an untrained mind shows itself more hopelessly incapable, than in drawing the proper general conclusions from its own experience. And even trained minds, when all their training is on a special subject, and does not extend to the general principles of induction, are only kept right when there are ready opportunities of verifying their inferences by facts.
Untrained warriors are soon killed on the battlefield; so also persons untrained in the art of preserving their inner peace are quickly riddled by the bullets of worry and restlessness in active life.
I feel like there are comic book artists who are comic book artists, and then there's comic book artists who are cartoonists.
Roald Dahl worked with other illustrators, but it was only when he teamed up with Quentin Blake that the chemistry began to fizz. Quentin Blake is Britain's greatest living illustrator and has that special talent all the great illustrators have, of unobtrusive brilliance.
A lot of new artists, especially girl artists, feel pressure to be so 'media perfect' and 'trained.' I'm intelligent, but I don't like hearing regurgitated answers in interviews that sound so rehearsed.
Things like 'mad as a hatter' or 'grinning like a Cheshire cat', are so powerful that music and songs incorporate the imagery. Writers, artists, illustrators, a lot of them have incorporated that.
When I was young I trained a lot. I trained my mind, I trained my eyes, trained my thinking, how to help people. And it trained me how to deal with pressure.
With acting, you see some of the kids are literally just off the street, untrained, and they are great. And others are off the street, untrained, and kind of horrible.
I have noted that, barring accidents, artists whose powers wear best and last longest are those who have trained themselves to work under adversity. Great artists treasure their time with a bitter and snarling miserliness.
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