A Quote by John Kricfalusi
To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic.
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You take for granted the details that make something look real. It can still look fabulous, but if you add a light switch, a vent, or the notion of air conditioning, it can look real.
In the movies, they make you look good and tough, but in real life, it's completely the opposite. I do these ueber roles, I think, because in real life I'm quite shy and reserved. In real life, I'm a dork.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
I like having to figure out how to pull things off, how to sell it, how to make it look real, but not just real, make it look better.
It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'
You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
Thank god Shonda Rhimes had this agenda to make television look like life, to make it look like the real world.
You look for the way something is built. You see a Prada bag and you look at the stitching at the back. If it's a fake one, then they make it really cheap. If it's a real Prada bag and I will look at it, I will count every single stitch and make sure they are exact distance apart.
I believed in making it look real. I was probably hard to work with because I wanted it to make real, and I knew how to wrestle.
The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
Perfect is very boring, and if you happen to have a different look, that's a celebration of human nature, I think. If we were all symmetrical and perfect, life would be very dull.
Nothing happens in life by accident. Nothing occurs by chance. Nothing takes place without producing the opportunity for real and lasting benefit to you. The perfection of every moment may not be apparent to you, yet that will make the moment no less perfect.
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