A Quote by John L'Heureux
Obscenities are too often used for shock value, as a kind of shorthand for real expression of emotion. You've got to scale down your monstrosities. A scream is not a discovery.
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I did some films in college, and I remember working with this director that wanted to shock me so that I'd give him an expression of shock, so he poured scalding hot water on my arm during the take. He splashed it on me. He got his expression of shock, but I also got, like, second-degree burns!
Talking to animals' isn't a matter of words used, it is a matter of your thoughts, your expression, and above all the tone of your voice. A harsh voice from me can make my cows jump in terror. I shouted at old Queenie once and she got such a shock that she fell down just as if she'd been shot.
To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.
That's what you strive for - you strive to take your move to the next level. It's about shock value, always shock value, but keeping it flavor and stylized and making it yours.
That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken.
As the Nation's primary supporter of research in the physical sciences, the DOE Office of Science led the way in creating a unique system of large-scale, specialized, often one-of-a-kind facilities for scientific discovery.
Sometimes you don't get the value of the art or the painting you buy. The value you get from it is on the wall and you're looking at it. It's the same with your car. You're using it, so it goes down in value but you've used it.
I got my first patent in 1979 before I left the Air Force. I called it the Digital Distance Measuring Instrument. It used ones and zeros and dots and dashes and a magnifying lens to read binary-encoded information from a scale that was photographically reduced. It used the same kind of technology that's used in CDs and DVDs.
The real discovery of having your consciousness raised was never that you'd be handed tools; it was the discovery that the only real leverage you get in life is yourself.
When you're really trying to make serious change, you don't want people to get caught up in emotion because change isn't emotion. Because change isn't emotion. Its real work and organization and strategy - that's just the truth of it. I mean, you pull people in with inspiration, but then you have to roll up your sleeves and you've got to make sacrifices and you have got to have structure.
So here’s where they put you. I didn’t think they even used these cells anymore.” He glanced sideways. “I got the wrong window at first. Gave your friend in the next cell something of a shock. Attractive fellow, what with the beard and the rags. Kind of reminds me of the street folk back home.
I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.
You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
He loved Nirvana, but at his age they were kind of a guilty pleasure. All that rage and pain and self-hatred! Will got a bit...fed up sometimes, but he couldn't pretend it was anything stronger than that. So now he used loud angry rock music as a replacement for real feelings, rather than as an expression of them, and he didn't even mind very much. What good were real feelings anyway?
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
When I got divorced, it was another culture shock. It was going from this world I had been into since the age of 16 to literally standing on the streets of New York in kind of shock.
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