A Quote by John L. Parker Jr.
Training was a rite of purification; from it came speed, strength. Racing was a rite of death; from it came knowledge. Such rites demand, if they are to be meaningful at all, a certain amount of time spent precisely on the Red Line, where you can lean over the manicured putting green at the edge of the precipice and see exactly nothing.
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The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
My strength never came from political echelons, it came from the family. And from the fields and the lands and the flowers and everything I see there. My strength came from there.
Every ceremony or rite has a value if it is performed without alteration. A ceremony is a book in which a great deal is written. Anyone who understands can read it. One rite often contains more than a hundred books.
I came from a childhood where I spent a lot of time alone and a lot of time just living with my imagination, and a certain amount of the adult world was kind of alienating.
No doubt they rose up early to observe the rite of May; and, hearing our intent, Came here in grace of our solemnity.
No tribal rite has yet been recorded which attempts to keep winter from descending; on the contrary: the rites all prepare the community to endure, together with the rest of nature, the season of the terrible cold.
Death is the least civilized rite of passage.
So you are lean and mean and resourceful and you continue to walk on the edge of the precipice because over the years you have become fascinated by how close you can walk without losing your balance.
Every film that comes out that incorporates CGI or performance capture is a little bit ahead of the last film that came out. You're on the cutting edge for a certain amount of time, and then the new technology comes out.
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.
You see the guys in the Ribera jackets and it's really a rite of passage to be able to work in Japan, come over here and perform for the fans here, and then come over to Ribera Steakhouse and get that jacket.
There's an amazing line in Marcus Aurelius: "The healthy eye ought to see all visible things and not to say, I wish for green things; for this is the condition of a diseased eye." Maybe green is your favorite color - but if you saw everything as green, that wouldn't be a blessing, it would be an eye disease. By the same token, if there was no heartbreak, and everything happened exactly as you want - it would be a less beautiful and meaningful story than the actual story, where you're a part of a huge complicated mysterious whole.
Triathlon has quite a short season. It only runs from May to September so there's a lot of time when you're not racing. So I try to set myself the target of doing a certain amount of training every week and things like that.
When President Obama first came into office in 2009, I spent a fair amount of time in Michigan.
One time in spring training, we had the hit-and-run on, and Carl Erskine threw me a curve and I struck out into a double play. I came back to the bench and Casey [Stengel] said, 'next time, tra-la-la.' I didn't know what tra-la-la meant, but next time up, I hit a line drive, right into a double play. When I sat down, Casey came over and said, 'Like I told you, tra-la-la.'
When I first came to Oregon, the annual amount spent on production was $1 million to $1.5 million. By the time 'Leverage' was done, there had been over $100 million in production that year.
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