A Quote by John Lanchester
I don't think quantitative easing is deliberately misleading, but I do think it's suspiciously bland and reassuring. It doesn't sound like anything big, experimental, scary and strange - which is what many economists think it is.
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We think we know that chimpanzees are higher animals and earthworms are lower, we think we've always known what that means, and we think evolution makes it even clearer. But it doesn't. It is by no means clear that it means anything at all. Or if it means anything, it means so many different things to be misleading, even pernicious.
When most people think of economists, they think of macro-economists. Macro-economists try to describe or - even harder - predict the movements of a hugely dynamic system. They're like a transplant surgeon trying to simultaneously transplant every failing organ in someone's body.
I think we have a bubble in the US in government bonds, because of the quantitative easing and the negative real interest rates, and to some extent, that increases asset values across the board, including in startups.
I don't really like scary movies. I mean, I didn't as a kid, but I think I got a bit better now. I've been easing myself into it, starting off with the less spooky ones.
I'm a huge, huge fan of Blu-ray. I think the picture and the sound quality is just such a massive improvement, and I think for movies like 'Event Horizon,' where the image is a key part of that film, and also the sound, as well, in any scary movie is an important element.
I like to think of myself as an original. I have my own sound. That's not easy to come by, I worked on it for many years. But I like to think that I sound like Dewey Redman
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.
In anything I've ever written, all the characters sound like me, which I don't think is a bad thing. It makes sense. But I had always admired filmmakers who made movies that didn't sound like them at all.
I think that, too many times, business has been seen as acting in its narrow self-interest rather than, essentially, contributing more broadly to society. I think a lot of that is unintentional; I don't think that many managers are deliberately trying to be unethical or are not trying to be sensitive to social needs.
I think revolution is always a little bit possible. I think it won't look or sound anything like what we would expect. But I think revolution is very difficult, and I'm not optimistic for any kind of dramatic change.
I think it's so strange that certain people think they know you because you've been in a film. It's very flattering, but it's also very scary.
I've never won an award for anything, and I think it's weird. I mean, that's really cool but it's strange to think you could get an award for acting. I always thought that was strange.
I think that ‘New Moon’ was my favorite book as well mainly because I like the juxtaposition of all sudden people being…it’s such a hyped character, Edward, and there are so many people looking at him like a romantic hero. In ‘New Moon’, the way that I read it anyway, he’s just so humbled. It’s a character who’s looking at Bella and thinking that he loves something too much but he can’t be around. He deliberately starts breaking up their relationship which I think is a very relatable thing and I think is very kind of painful.
I think we labor economists like to think of ourselves as being closer to the people.
I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'
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