A Quote by John Landgraf

I believe really deeply in the pilot process because you learn things about tone and casting. Even some of our best shows have had substantial re-shoots and reworking before they've gone on the air.
I believe really deeply in the pilot process because you learn things about tone and casting.
I think there's really no rhyme or reason as to what keeps a show on air. Surely it's a numbers game, but some of the best shows get canceled, and some shows where you don't totally understand why they're on the air stay on for 15 or 20 years.
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Pilots are useful. You just learn things during a pilot - the piece of casting that just wasn't right or things about the storytelling nature.
Creativity has to start somewhere, and we are true believers in the power of bracing, candid feedback, and the iterative process - reworking, reworking, and reworking again until a flawed story finds its through line or a hollow character finds its soul.
I don't want to fail, of course. But even though I didn't know how bad things really were, I still had a lot to think about before I said yes. I had to consider the implications for Pixar, for my family, for my reputation. I decided that I didn't really care, because this is what I want to do. If I try my best and fail, well, I've tried my best.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
I didn't expect NBC would be at all thrilled about me, because the year before the West Wing I had rejected a pilot at the last minute and got them very upset. I ended up not coming to the casting - in fact it happened four different times because I just wasn't convinced that I wanted to do television.
I think it's the process of demystification, and realizing that we are not talking about some supernatural nightmare - we're talking about a natural process that the planet has gone through before, and which animals have survived before.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
Air is traditionally 'thin,' but the more we learn about our atmosphere, the more substantial it becomes. In some places it is so filled with inorganic flotsam that it is almost thick enough to plough; in others, it has become so primed with the by-products of life that it comes close to being a living tissue in its own right.
Often we fail to voice and act on our values because, before we even apply our best thinking to developing an action plan, we engage in process of "pre-emptive rationalization." At some deep level, we anticipate difficulty and resistance so we start to back away from our own instinctive values perspective.
I'm writing and putting together my next few things. Even during the Red Army process, I've been writing and developing things, so that now that I'm done and with efforts supporting it throughout this process, I'm armed and ready to go with some things that I'm really passionate about.
Even our beliefs have become trend statements. We don’t even believe things because we believe them anymore. We only believe things because they are cool things to believe.
I came in rather late in the casting process of Reaper. I believe they had all the other roles cast. They were having trouble finding the devil. They had seen almost 100 actors for the role. I got the script and I liked it - it was clever and witty and very, very funny, and a nice, fresh take on an old story. I went in and did a scene for the producers, the kitchen scene from the pilot where I'm cooking a chicken-fried steak. At the end of it, they all had a smile on their face, and they realized they had found their devil.
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