A Quote by John Landgraf
Perhaps storytellers don't need to care as much about the future as executives and investors do. After all, isn't it possible that technology will enable storytellers to connect directly to their audience without the need for anyone to share the programming decisions or the profit in between? Don't bet on it.
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Listen to great storytellers; slowly, you will learn about voice, timing, tension, structure, climax - all the things you need to tell stories that will capture the imagination of your audience.
I'm actually quite critical of the storytelling theme. I think all the storytellers are not storytellers.
That's what this industry is all about - supporting artists and supporting storytellers and hearing the audience for what they want and need. There still is a lack of value for what black women want, yet we have proven to be one of the strongest consumers in the marketplace.
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
The message I'm trying to send is that technology is political, and that many decisions that look like decisions about technology actually are not at all about technology - they are about politics, and they need to be scrutinized as closely as we would scrutinize decisions about politics.
I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.
I think it would be bad for storytellers in general if one company was able to seize a 40-50-60% share in storytelling. I don't think monopoly market shares are good for society, and I think they'd be particularly bad for society and storytellers if they were achieved in the storytelling genre.
For a while, the genre seemed to be just about sex and crime. Rappers are storytellers; the stories don't need to be true!
The success of the storytellers - we're only as good as what we can withhold from the audience. Aspects of surprise and letting things play out for the audience - it's so much a part of their enjoyment. It's one of the great things about working in the movies and being a great storyteller.
I'm excited about what technology is offering storytellers and movie- and TV-makers.
I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.
With 'Scratch,' you create computer programs by snapping together graphical programming blocks, much like LEGO bricks, without any of the obscure syntax and punctuation of traditional programming languages. After creating an interactive 'Scratch' project, you can share it on the 'Scratch' website, just as you would share videos on YouTube.
We need the expressive arts, the ancient scribes, the storytellers, the priests.
It's time for storytellers to tell the stories that have not had the privilege of being shown to the world, and the audience will be there.
It?s scandalous when one thinks about the people who live in a world in which they need not be hungry, in which they need not die without medical care, in which they need not be illiterate, they need not feel hopeless and miserable so much of the time, and yet they are.
Perhaps you don't desire poetry as much as you would like to have my torchy knowledge of your possible futures, but I dare say poetry will do you far more good. For knowing the future only makes you timid and complacent by turns, while poetry can shape you into the kind of souls who can face any future with boldness and wisdom and nobility, so that you need not know the future at all, so that any future will be an opportunity for greatness, if you have greatness in you.
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