The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
I was still making movies so it wasn't as if I were working in a bar, but they were independent films that couldn't find distributors.
I'm not a member of a political party, and I feel very, very comfortable being independent. Even if I weren't a journalist - if I were doing whatever - I would be an independent.
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.
There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.
On a fundamental level - I know so many women in their 30s who didn't get married, or they did and it didn't work out, or they didn't have children because they were trying to get their careers going, or because they were expected to be independent, plus have a family. They didn't feel secure enough.
I remember being in Japan when Destiny's Child put out 'Independent Women,' and women there were saying how proud they were to have their own jobs, their own independent thinking, their own goals. It made me feel so good, and I realized that one of my responsibilities was to inspire women in a deeper way.
You talk about leading Republicans. That's no easy task on just like you were trying to lead Democrats on the other side. We all have independent thoughts and independent ideas.
The best guys are the ones who were born in the '60s. They are used to women being independent. They were brought up by mothers who were burning their bras and protesting.
I think independent movies are actually very challenging right now, because it was this huge scene and it was great for a few years. Then, it was totally co-opted by the studios. Now, it's become very corporate, the independent scene.
I was very independent growing up, but there were things that were bothering me that I never told anybody. I would talk to our animals at home.
I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe.
I should say that being independent in the modern model means independent in a very interdependent world. An independent Scotland is not apart from the rest of the United Kingdom.
I grew up with just my mom. She and I were like best friends. She's a very independent woman and I admire that about her. In my life, I've tried to be like that. To be okay with being on my own and being independent.
The so-called 'last golden age,' in the 1970s, most of those movies were independent films.