A Quote by John Larroquette
Good acting comes from finding the essence of a character.
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The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
I would want the audience to simply see the character I portray in each movie in its true essence because I feel acting is all about truthfully portraying the character.
I don't like to intellectualize about my acting. I don't sit around and study the pages of a script over and over again. I don't worry whether the period is contemporary or three hundred years ago. Human beings are all alike. The main thing in acting is honesty, to feel the humanity and get to the essence of the character. You can't put anything into a character that you haven't got within you.
I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.
It's - you know, acting's all about relatability and finding empathy for a character, which is essentially, kind of, you're finding empathy with a part of yourself, which is a part of a character that was written by someone else, which was essentially kind of a part of them as well because it was a voice in their head they wrote down.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
I get turned on by the idea of an essence - finding the essence of the thing.
Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.
She didn't need to go to acting school to learn that the essence of acting is to act like you're not acting.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
Good acting is confused with good dialogue delivery. Acting is about all about performance, and the way we interpret and understand the character that we bring alive onscreen.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
I think good acting is always character acting.
The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
Let me go over this again on the reclaiming the civil rights movement. People of faith that believe that you have an equal right to justice - that is the essence. And if it's not the essence, then we've been sold a pack of lies. The essence is everyone deserves a shot - the content of character, not the color of skin.
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