A Quote by John le Carre

I move my lips when I read -- I'm painfully slow -- so I like really good English. — © John le Carre
I move my lips when I read -- I'm painfully slow -- so I like really good English.
I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
I'm a painfully slow reader. And to this day, I mean, I love reading, and I'm very careful - very selective about what I read because I don't read very fast and, therefore, not a great deal.
However tired you are, whatever the distance is, move to your target! Even if you move as slow as a snail, you will reach there! Move! Either fast or slow, just move!
I like to be loved by my children, and I quite like the 'Guardian' hating me. I like it when I read they want me to die painfully. Then I think I've really got under their skin. It's like annoying a teacher. Once they've shown signs of weakness, you really can go for them.
I read 'the Hobbit' at the age when you're supposed to read it. I didn't read 'The Lord Of The Rings.' My father, who was an English teacher, advised me that once I had read 'the Hobbit,' that would be enough. I could then move on to Dostoyevsky.
Well, I'm English, so it's intimidating to step anywhere. I used to be painfully shy. I wouldn't say that I'm painfully shy anymore. But if I have the option of sitting on the edge of a circle, I will.
Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.
I was a good boy in high school , and I read for English class, and I vaguely remember reading, as a kid, 'Choose Your Own Adventure' stuff, but I didn't really read for pleasure.
I really like my eyes, nose, and lips. I especially like my nose. I really like my lips too. I think my lips are sexy.
In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.
Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.
what I love is slowness. Slow people, slow reading, slow traveling, slow eggs, and slow love. Everything good comes slow.
If you want to get rich from writing, write the sort of thing that's read by persons who move their lips when they're reading to themselves.
A passage is not plain English - still less is it good English - if we are obliged to read it twice to find out what it means.
I would have studied English, but I really don't like to read.
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