A Quote by John le Carre
But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.
Related Quotes
It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
I think that in any language when you have a real relationship, and there is love and respect between people, infidelity is always something difficult to accept - whether you are Chinese, British, French. I think that is a universal concept... or problem.
I don't think that writing, real writing, has much to do with affirming belief--if anything it causes rifts and gaps in belief which make belief more complex and more textured, more real. Good writing unsettles, destroys both the author and the reader. From my perspective, there always has to be a tension between the writer and the monolithic elements of the culture, such as religion.
Writing is alchemy. Dross becomes gold. Experience is transformed. Pain is changed. Suffering may become song. The ordinary or horrible is pushed by the will of the writer into grace or redemption, a prophetic wail, a screed for justice, an elegy of sadness or sorrow. ... There is always a tension between experience and the thing that finally carries it forward, bears its weight, holds it in. Without that tension, one might as well write a shopping list.
There are interesting tensions that will naturally occur with any relationship. No matter what setting, what era, the tension is very, very real. It's basic human tension.
In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.
The good historian is like the giant of the fairy tale. He knows that wherever he catches the scent of human flesh, there his quarry lies.
If I stage things too much and nothing changes in the act of photographing, then I might as well have not taken the picture: If the whole thing already exists in my head, then I haven't learned anything. The tension lies between the staging and the unpredictability.
The relationship between a manufacturer and his advertising agency is almost as intimate as the relationship between a patient and his doctor. Make sure that you can life happily with your prospective client before you accept his account.
There was pain, but there was also joy. It was in the tension between the two that life happened. Imperfect as it was, this world was real. Illusion was no substitute. I'd rather live a hard life of fact than a sweet life of lies.
It is quite easy to debase the sport, change its values, dilute its ethics and destroy its traditional associations with quietness, relaxation and the opportunity to think. Angling is not a competitive sport. The fisherman'- s only real competition is with his quarry and his only real challenge is the challenge to himself. Nothing can add to this, but the blight of interhuman competition can certainly detract from it.
The real ugliness lies in the relationship between people who produce the technology and the things they produce, which results in a similar relationship between the people who use the technology and the things they use.
The right of ordinary citizens to possess weapons is the most extraordinary, most controversial, and least understood of those liberties secured by Englishmen and bequeathed to their American colonists. It lies at the very heart of the relationship between the individual and his fellows, and between the individual and his government.
The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.
It does not matter how great the pressure is. What really matters is where the pressure lies -- whether it comes between you and God, or whether it presses you nearer His heart.
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