A Quote by John le Carre

A spy, like a writer, lives outside the mainstream population. He steals his experience through bribes and reconstructs it. — © John le Carre
A spy, like a writer, lives outside the mainstream population. He steals his experience through bribes and reconstructs it.
The enemy's spies who have come to spy on us must be sought out, tempted with bribes, led away and comfortably housed. Thus they will become double agents and available for our service. It is through the information brought by the double agent that we are able to acquire and employ local and inward spies. It is owing to his information, again, that we can cause the doomed spy to carry false tidings to the enemy.
[The writer] must essentially draw from life as he sees it, lives it, overhears it or steals it, and the truer the writer, perhaps the bigger the blackguard. He lives by biting the hand that feeds him.
It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.
Everybody thinks it's glamorous and this spy versus spy stuff is so exciting, but working in that industry and being a CIA operative, like a field officer, is tough. That's a difficult job that usually dismantles their lives in some capacity.
Unless a writer lives with a periodic delusion of his greatness, he will not continue writing. He must believe, against all reason and evidence, that the public will experience a catastrophic loss if he does not complete his novel. The public is just clamoring to give him his fame. From the book Dare to be a Great Writer: 329 Keys to Powerful Fiction by
A murderer is less loathsome to us than a spy. The murderer may have acted on a sudden mad impulse; he may be penitent and amend; but a spy is always a spy, night and day, in bed, at table, as he walks abroad; his vileness pervades every moment of his life
I sometimes feel I'm a sort of cult writer, rather than a mainstream writer, in that those who like my stuff like it a lot, but the appeal is not that broad.
Seeing the world around you clearly is a critical step in developing an idea for a business, carrying out that idea, and then thriving with an ongoing concern. Through choice, predilection, lack of education, impatience, or other causes, the entrepreneur lives, in a way, outside the mainstream.
Few [books] get translated and the ones that do have trouble making it into the mainstream. It's more likely that Americans will discover another culture through an American writer rather read a writer from that culture.
He who steals a little steals with the same wish as he who steals much, but with less power.
Communion with God as we hear his voice is rich. We receive his meanings; we submit to his authority; we grow by his power that is at work in our lives through his words; and we experience the glory of his personal presence as we hear him. These aspects go together, though we may sometimes be more conscious of one aspect.
But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
Every time thief steals, he steals from his own peace, from his own honour! No man is as poor as a rich thief!
I tell everyone very plainly that I take bribes, but what kind of bribes? Why, greyhound puppies. That's a totally different matter.
Every President reconstructs the Presidency to meet his own psychological needs.
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