A Quote by John Lee Hancock
I've never read a script in which you are actively pulling for the protagonist in the beginning, but little by little, you lose that.
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I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
The Internet lets women use words, which is their natural tool. Little girls speak in more complex, grammatical sentences than little boys do, and women never lose that superiority in verbal ability.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
Little men with little minds and little imaginations go through life in little ruts, smugly resisting all changes which would jar their little worlds.
I think people get a little resentful when they were there at the beginning, when they supported you when you played in front of nobody - which we still do. They get a little resentful when they have to share with new people. That's why I want to really look out for the people who've been with us from the beginning.
The sanserif only seems to be the simpler script. It is a form that was violently reduced for little children. For adults it is more difficult to read than serifed roman type, whose serifs were never meant to be ornamental.
We're all going to eventually, even in the developed world, going to have to lose everything that we love. When you're beginning to rot a little bit, all of the videos crammed into your head, all of the extensions that extend your various powers, are going to being to seem a little secondary.
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.
Sometimes when we read the words of those who have been more than conquerors, we feel almost despondent. I feel that I shall never be like that. But they won through step by step, by little bits of wills, little denials of self, little inward victories, by faithfulness in very little things. They became what they are. No one sees these little hidden steps. They only see the accomplishment, but even so, those small steps were taken. There is no sudden triumph, no spiritual maturity. That is the work of the moment.
People enjoy being read to, beginning from when they're little.
I'd read 'Paradise Lost' as an undergrad at university but remembered little about it. No, not true: I remembered few details, but carried with me with the persuasive arguments and pitiable dilemma of its arguable protagonist, Satan.
O gouvernment francais, I think it was not very clever of You to put this terrible doll in La Ferte; for when Governments are found dead there is always a little doll on top of them, pulling and tweaking with his little hands to get back at the microscopic knife which sticks firmly in the quiet meat of their hearts.
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