A Quote by John Lee Hancock

Whenever a film has three different release dates, people understandably assume that there must be something wrong with it. — © John Lee Hancock
Whenever a film has three different release dates, people understandably assume that there must be something wrong with it.
Whenever people ask me what the story is for my next film, I won't tell and people feel it's because I'm being secretive or something, but it's actually because I'm ashamed to sum up a film in three sentences.
The mythology around colorblindness leads people to imagine that if poor kids of color are failing or getting locked up in large numbers, it must be something wrong with them. It leads young kids of color to look around and say: "There must be something wrong with me, there must be something wrong with us. Is there something inherent, something different about me, about us as a people, that leads us to fail so often, that leads us to live in these miserable conditions, that leads us to go in and out of prison?"
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
Whenever I work on a film, I have three rules. Only three and I tell them to every screenwriter. I say let's retain the spirit and the intent of the overall story. Let's make it the best film that we possibly can.
If two-three films of mine release at the same time and if all of them feel like they are from the same lyricist then something is not quite right. The language of all has to be different if they are different stories.
Whenever you do a film for the wrong reasons, it may or it may not pan out. Sometimes people do it because it is a good move or the right move. I don't know; maybe one day I will do a film for the wrong reasons, and it will work for me.
It's very difficult to innovate without requiring people to do something different. And whenever you require people to do something different, you're talking about change.
I grew up in a house that adored Thalaivar. There would be major discussions at home whenever a film of his was due for release, and we would manage to watch the film on the first day.
One of my staff members told me that after the release of the film, whenever a custodial death is reported, people say - 'Another 'Visaranai.' This is the kind of change that I am looking for; it should hit you hard.
We have done 'Talvar' in three different parts, recreating three different scenarios. And so, it was very interesting for me as a performer to be a part of this film.
I think some people get confused between development and pre-production. In pre-production, you know all your dates.You know when you're aiming to release the film. You've got your script. You've got everything sorted.
Whenever people agree with me I always feel I must be wrong.
I hope that every [person] at one point in their life has the opportunity to have something that is at the heart of their being, something so central to their being that if they lose it they won't feel they're human anymore, to be proved wrong because that's the liberation that science provides. The realization that to assume the truth, to assume the answer before you ask the questions leads you nowhere.
Whenever someone wants to say something to a whole mass of people by breaking into song, there's probably something wrong with them.
My computer must be broken: whenever I ask a wrong question, it gives a wrong answer.
There is a big difference between thinking: I'm in a relationship and something's wrong. Therefore something must be wrong with the relationship. and thinking I'm in a relationship and we've got problems. This is evidence that you are different than me.
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