A Quote by John Legend

I know when things feel a little, like, intrusive and when they don't. I don't have a lot to hide. But I do sometimes think, don't share everything. — © John Legend
I know when things feel a little, like, intrusive and when they don't. I don't have a lot to hide. But I do sometimes think, don't share everything.
I'm such an incredibly, stupidly sensitive person that everything that happens to me, I experience it really intensely. I feel everything very deeply. And when you feel things deeply and you think about things a lot and you think about how you feel, you learn a lot about yourself. And when you know yourself, you know life.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
When I look at certain aspects of popular culture - not everything because I like a lot of things - sometimes my heart breaks a little bit, just a little bit. I begin to ponder what happened to this generation, I don't know.
I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.
I like to work with people of different cultures, different points of view. But yeah, I feel much more comfortable. That's the problem I sometimes have with going to Hollywood. I feel like they don't share the same values as I do. They aren't interested in the same things. It's not always true, but sometimes, I feel it deeply, because as an industry, they celebrate things that I'm less interested in, and it's all about the business.
There is a lot of pressure on tennis players like other sports that are singular like you're not on a team. When all the pressure rides on your shoulders, it can be a lot different. Team sports you share those moments with the teammates. You share the pressures. You share the wins. You share the losses. You have a coach that can change the course of matches. But in tennis you're out there by yourself. There are no caddies. There are no coaches. You do it alone in the arena and I think that ups the ante a little bit.
With social media, I think it becomes a little more intrusive. People have more access to you. It's obviously very flattering, all the love and affection that you get, and then there's also the downside of it: sometimes things don't go your way.
I have a fuller figure and sometimes like to hide my legs. Palazzo pants accentuate my small waist and make me feel a little like Katharine Hepburn.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
Little things do matter. Sometimes, little things matter the most. Everybody pays a lot of attention to big things, but nobody seems to understand that big things are almost always made up of little things. When you ignore little things, they often turn into big things that have become a lot harder to handle.
There's never a time that I'm not intrusive. That's the base of what we - photographers - do: we're intrusive. Anyone saying the opposite is silly. There's a process and a means of getting to know people and getting them to trust you, but I'm always very aware that I'm visiting - that I'm there, that I have a responsibility, but I am intrusive.
Sometimes I feel really bad for the audience. I don't know how to make them happy. And you just feel drained cause you're trying everything possible to turn things around. And sometimes it is possible to turn things around on stage, and I've done it before, but sometimes it's impossible.
We think about a lot of things that we want to do and sometimes it might feel like, you know, it's not even possible, that we can't really achieve that. But I think it's really important to let kids know, starting from when they're young, that if they put their mind to something and put the time in, they can definitely achieve it.
The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
I feel like there's just so much of everything that I don't know what people have heard and what they haven't heard. I think with the fact that there's the Internet and that people can share home-made recordings, I think a lot of the songs do get to be heard, even if it's not the best quality, or there's clinking glasses or it's just piano and voice, people can at least hear the song.
I like to write with a lot of emotion and a lot of power. Sometimes I overdo it; sometimes my prose is a little bit too purple, and I know that.
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