A Quote by John Legend

I was the front man of the choir and then when I was 12 and I was the leadsinger of my highschool groups. — © John Legend
I was the front man of the choir and then when I was 12 and I was the leadsinger of my highschool groups.
My high-school a cappella teacher would embarrass me in front of the choir. 'Mavis, you're in the basement. Mavis, you're singing with the boys.' I said, 'Mr. Finch, my voice isn't soprano. I can't sing up there with the girls.' So I just got out of the choir.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
I was a choir boy at school, then when the choir became less cool, I became a kind of rock star in my own world.
It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
Preaching to the choir actually arms the choir with arguments and elevates the choir's discourse. There's a reason the right does it and does it well and triumphs.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
The first city I ever came to in the states was Des Moines. I was 12 and was in a boys' choir.
Bush is a very poor impromptu speaker. He does fine in small groups but when speaking without a script in front of large groups or answering questions he wasn't prepped for, he has problems.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
I joined the church choir because there were these two hot chicks. Then people started giving me compliments. 'You really have a good voice.' Really? I just joined the choir for these girls.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
I don't bench press, but I use machines to work 10-12 muscle groups. Biceps, triceps, a few things for the back, calves, shoulders and so on - and then I'll go on the running machine, cross-trainer or mountain climber.
I got really lucky that at age 12, I knew I just wanted to be a dancing monkey in front of people and entertain them, or try to. It's amazing that at age 12 I realized what a needy life I was gonna have.
Lebanon, of course, is a country with great problems. Traditionally, they have religious-national groups or ethnic-national groups. They have the Druses. Even the two Moslem sects, the Sunnis and the Shiites, are apart. Then they have the armed groups. Everybody's got a private army.
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