For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.
Computerization brings about an essential change in the way the worker can know the world and, with it, a crisis of confidence inthe possibility of certain knowledge.
Yes, I have had difficult times on court and at certain tournaments but you need to forget about it and go forward because that's the way it works in our world.
Of course, Oliver Stone is not Donald Trump. But he shares with him a certain way of seeing the world and being in the world - and the luxury of persisting in this way of being, and even making a spectacle of it.
Right now the way I define beauty is individuality and wisdom, which I think creates a certain inner confidence. And not confidence in a way that's only on the surface, but a deep-down knowing of yourself or settling into who you are.
When we look at policy, it's important we make sure that it's up to date and reflective of the way the world works today - and where the world is heading in the future.
There's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.
On some level, some of the challenges end up being similar, which is when you have a very emotional scene to shoot. As an actor, you have to prepare a certain way, but you also have to prepare a certain way when you're a director because you have to be sure you're telling the whole story.
In this perfect world, there are certain imperfections that catch your eye. That's what works for me. I don't concentrate on being perfect, but instead put that effort behind my craft and being true to myself. I don't conform to pressures outside of me. I am confident about myself.
What people think improvisation is and non-improvisation is, it's nothing to do with what you like or dislike. It's all about how it happens with certain directors and certain scenes. That's the way it works. It's not something, in general, that you can decide.
Sometimes you can feel like the only person in the world to have struggled in a certain way and there is a shame around that. The way we deconstruct it all is by talking about it, by listening and even within our circles of friends and checking up on each other, making sure that if someone is going through something, they have someone to talk to.
The pressure of looking a certain way and having to present yourself a certain way is hard. It's difficult to feel genuine about yourself when you feel the pressure of being a certain person.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
Ours is a world of nuclear giants and ethical infants. We know more about war than we know about peace, more about killing than we know about living. The way to win an atomic war is to make certain it never starts. And the way to make sure it never starts is to abolish the dangerous costly nuclear stockpiles which imprison mankind.
I think the sexiest thing about a woman is confidence, but confidence in a humble way, not in an arrogant way.