A Quote by John Leguizamo
Self-expression, to me, is something that you worked on, that you have mastered a skill to say something in the most artful way that you can. It's not just blurting stuff out and having verbal diarrhea.
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I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
It is only to the finest natures that age gives an added beauty and distinction; for the most persistent self has then worked its way to the surface, having modified the expression, and to some extent, the features, to its own likeness.
There's a lot of talk these days about giving children self-esteem. It's not something you can give; it's something they have to build. Coach Graham worked in a no-coddling zone. Self-esteem? He knew there was really only one way to teach kids how to develop it: You give them something they can't do, they work hard until they find they can do it, and you just keep repeating the process.
I wouldn't say that I'm aggressive in going out to find work and stuff like that. I just sort of, if something comes along, and it's something I like, and they want to hire me, I'll do it. I won't just do anything.
The idea of buddha mind is not purely a concept or a theoretical, metaphysical idea. It is something extremely real that we can experience ourselves. In fact, it is the ego that feels that we have an ego. It is ego that tells us, My ego is bothering me. I feel very self-conscious about having to be me. I feel that I have a tremendous burden in me, and I wonder what the best way to get rid of it is. Yet all those expressions of restlessness that keep coming out of us are the expression of buddha nature: the expression of our unborn, unobstructed, and nondwelling nature.
I felt this awful obligation to be charming or at least have something to say, and the pressure of having to be charming (or merely verbal) incapacitates me.
The kids out there want something they can relate to, something that's real; most of that whiny stuff isn't real. The cheesy pop songs just bore me to death.
The prayer of words cannot be eliminated. And I must pray them daily, whether I feel like praying or not. Otherwise, when God as something to say to me, I will not know how to listen. Until I have worked through self, I will not be enabled to get out of the way.
If you can express something in the simplest way possible, I think there's something noble in that. It's easy to flesh stuff out and get all purple with it, being cryptic and wearing masks... I think it's a bit adolescent. I wanted to write in a way that was vulnerable. I wanted to have courage in stripping back the opaque stuff so it was just raw. I like lyrics that are a lifeline, that have a purpose to them and are not just meandering around in a masturbatory way. They cut the page.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me one way or another.
[Travel seems] not just a way of having a good time, but something that every self-respecting citizen ought to undertake, like a high-fiber diet, say, or a deodorant.
It's something he used to say when he was happy. It could be a very, very simple day. We might be sitting out on the front lawn. Dad loved classical music and we might be listening to some Stravinsky or something and having some tea and eggs. And he'd say, 'Oh, good stuff, isn't it?'
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
One of the best rules anybody can learn about investing is to do nothing, absolutely nothing, unless there is something to do. Most people – not that I’m better than most people – always have to be playing; they always have to be doing something. They make a big play and say, “Boy, am I smart, I just tripled my money.” Then they rush out and have to do something else with that money. They can’t just sit there and wait for something new to develop
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