A Quote by John Leguizamo

Teachers are everything. I mean, you're a poor kid from the ghetto, your parents are busy working 24/7, working like a Mexican. — © John Leguizamo
Teachers are everything. I mean, you're a poor kid from the ghetto, your parents are busy working 24/7, working like a Mexican.
I do have a sense of fear every day going to work, but I think it's something that I like. I mean I do like the feeling of waking up on my own, having this moment of like: "Oh, f**k, I hope I can do this today!" Because it makes you realise that you're working with material or you're working with a director or you're working with a cast and they're keeping you on your toes.
I came to know God when I was 12, started working in the ministry when I was 13, working in the slum area, living among the poor, loving it, and having this belief that to love the poor I needed to be poor.
The poor are too busy working to need justice.
When you are balancing perfectly in a tree pose, everything is easy; your breath is deep and relaxed, and your muscles are working for you just as you'd like. It's pure and simple. Efficient. When you are having a great day, the same things occur. Your breathing is relaxed, your body is working harmoniously with your mind; everything just feels easier because you are in a state of balance.
As a kid, as a poor-ish, working-class kid, even visiting America seemed like an impossible dream. Every time I ever went anywhere in America, it always felt cinematic and dreamlike and like a movie from the '70s or something.
If we want to recruit and retain high-quality teachers, it starts with a fair wage, adequate working conditions, and the resources and support to succeed. Remember: teachers' working conditions are students' learning conditions.
When you're working with somebody else in that kind of way, you always have to have these guidelines to what you're doing - especially when you're working with your sibling. But when you're working by yourself you're free to do whatever you like.
I like working on action films, and I like working on movies that are comic book based, or that have this theme, because they're things I watched or loved as a kid.
I started working right away as a kid, so I didn't have a chance to go to improv school or anything like that; I was already a working actor.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
I can't control how high my song goes on the charts, you know what I mean. I mean, I can sway it a little bit by working as hard as I can, hopefully being a decent person and giving good interviews and working hard on the road and being nice to people and shaking hands and doing everything you can do.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
When you start so young working, you build a hunger for acting, working, and a busy life.
Look, everything that you experience as a kid is the foundation of how you are today. I was brought up in a working class family in Leeds and when it comes to money both my parents worked hard and instilled the same attitude into me.
I'm going to be working on my shot. Working on extending my range. Keep working on everything, and really studying the game.
I grew up in a family where my parents worked full-time and still found themselves and their six children trapped like so many of the working poor.
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