A Quote by John Leguizamo
It's a product of being an actor, you know? A lot of your work doesn't end up on camera and some of the best things aren't always in the final product. But yeah, a lot of my stuff got cut and it was painful, but I know it was for the better of the movie.
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Basically, you're selling a world as an actor, right? I mean it's like any sales person: if you believe in your product, you know your product, you sell it a lot better.
You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories.
I've always believed that the best way you combat intellectual property theft is making a product available that is well priced, well timed to market, whether it's a movie product, TV product, music product, even theme-park product.
We know somebody's got to win, somebody's got to lose, but aside from that, there's a lot of latitude and spontaneity and free-wheeling that I think would make it a much better product. I'm not knocking the product on RAW or Smackdown or NXT; these guys are good, but they're following a television format.
I was disappointed with 'My Friend Pinto.' Everyone put a lot of effort into it but the final product was something no one was ready for. The story was altered and a lot of scenes were edited. I got a lot of flak for my performance.
Once you walk off the set, if you're an actor, the rest isn't your responsibility, which I like a lot. I'm not responsible for the final product, which is why it's always a pleasure when you see it's in the hands of the people afterwards putting it together.
There's a lot of guys who use their likeness - to do movies, and do other business stuff, but not too many guys are actually making product. I'm making product, it's a different thing. A lot of guys are holding up Coke cans and get paid a lot of money to do that, but no one's making a Coke can. I'm the guy that's trying to make the Coke can.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
No product is an island. A product is more than the product. It is a cohesive, integrated set of experiences. Think through all of the stages of a product or service - from initial intentions through final reflections, from first usage to help, service, and maintenance. Make them all work together seamlessly. That's systems thinking.
In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control.
I think my best teacher and my best study was theater in general. It taught me a lot of patience and a lot of hard work, and I think that theater teaches you that you've got to know your stuff because you only get one chance.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
I'd played a lot of best friends, and/or bad guys, which seems to be my lot in life. In romantic comedies there's always a best friend and the woman has a best friend and they always antagonise each other and then they end up together at the end of the movie.
Focus on your product. A lot of people focus on the name of their brand or the legal aspects, but it's more important to create your product. It's why people join. It's your vision. Without your product, nothing is going to happen.
What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.
The sublime moment seems to be only a product of allowing yourself to get through, to get to a lot of stuff in your life, write about a lot of stuff and not edit yourself. That is a great lesson to learn for anybody that writes or creates in anyway, to be able to make something without being good or bad.
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