A Quote by John Leguizamo
I'm not really against a lot of things unless they are just pure exploitation and then they create their own copycat culture that comes from someone acting irresponsibly. That's dangerous when that happens.
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I actually don't prepare for onscreen nudity. I really believe that you have to be comfortable with your own body and unless the role is directed to a certain physicality and you're playing a sports person, then obviously you've got to train for it, but I just try and do things that make me happy and comfortable in my own skin, so I've gotten into yoga quite a lot.
A lot of people have said that the main thread in my work is loneliness or just wanting to create a world with someone who doesn't really have much in their life, so maybe I'm looking for someone who's lonely and wants to try to create something with me as a subject for my videos.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
At the end of the day, it's only a photograph and if someone is going to get really upset about a photograph, then they have a lot of issues. I just roll with it and see what happens.
There's a lot of different ways of going about teaching acting and ultimately you have to just kind of create your own. You have to be the author of your own acting school in a way. I mean you can take from this and this and you can watch people and you can watch performances on the stage. You can watch movies. But ultimately you have to figure it out for yourself.
Religion and anger has gone together a lot, historically. My father, being very religious and angry, was trying to reconcile the ideas of love and forgiveness with damage in his own heart. We historically create God in the image of someone who will redeem us, or someone who has damaged us. A lot of my imaginations of God was a projection of my own damage because of my father. God is good but he has a lot of expectations, of which I have failed -- just like my dad. But I don't think it's truthful to create God as a projection of either our damage or our altruism.
Ever since I was a about seven or eight; I think it was seven. My brother said "I want to start acting," and me and my sister just said, "Oh we'll try it, we'll see." It was just one of those things - we were just like, "Oh, we'll see what happens." So we ended up - all my siblings and me - we ended up just trying it, and I got that one role on In Plain Sight and then we just decided to keep going and see what happens. And then: Hunger Games.
Capitalism is the way of the devil and exploitation. If you really want to look at things through the eyes of Jesus Christ -- who I think was the first socialist -- only socialism can really create a genuine society.
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
I'm really inspired right now by a lot of the actors and actresses who are pursuing storytelling outside of just acting. They're writing, producing, they are creating their own material. That's really exciting to me. It feels like the possibilities are endless as far the things that you can make and even where they can be shown.
I just usually go with my own taste. If I like something, and it happens to be against the law, well, then I might have a problem.
The economic class struggle is a struggle against inessanlty intensified exploitation: not only against the brutal material form of exploitation, capitalism's tendency to reduce wages, and against the class 'techniques' for increasing productivity... but also around the question of the technical-social division of labor that prevails om enterprises, and against bourgeois ideology and repression.
When it comes to acting on green screen, it doesn't really make all that much of a difference to me because how you interact with your environment or characters is always dictated by your imagination. So when you're acting against a green screen, you have more of an opportunity to create your own world. So what was magical throughout this process was watching this movie come to life with the 3D.
I like to have a much greater base and know a lot more about my character before I begin to fill the person. So a lot of it really entails sit-downs with them, determining who she is, where she came from, and why she reacts a certain way, and then I was really able to expand upon a lot of that and create a lot of that story on my own.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
I'm trying to leave more of my calendar open for the spontaneous things. A lot of fun stuff that happened in previous years were things that were like, 'Hey are you available next week?' I wasn't really open unless it was planned months in advance. I'm excited to play it by ear and let a lot of stuff happen as it happens.
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