A Quote by John Lennon

There are only a few notes. Just variations on a theme. — © John Lennon
There are only a few notes. Just variations on a theme.
All music is rehash. There are only a few notes. Just variations on a theme. Try to tell the kids in the Seventies who were screaming to the Bee Gees that their music was just The Beatles redone. There is nothing wrong with the Bee Gees.
There are only five notes in the musical scale, but their variations are so many that they cannot all be heard. There are only five basic colors, but their variations are so many that they cannot all be seen. There are only five basic flavors, but their variations are so many that they cannot all be tasted. There are only two kinds of charge in battle, the unorthodox surprise attack and the orthodox direct attack, but variations of the unorthodox and the orthodox are endless. The unorthodox and the orthodox give rise to each other, like a beginningless circle-who could exhaust them?
Diplomacy is like jazz: endless variations on a theme.
All animals are minor variations on a very particular theme.
I think doing variations on a classical theme is a dangerous thing to do.
Loneliness is the theme, and I play it like a symphony, in endless variations.
I've always thought abstractly - through theme and variations rather than narrative.
I rather envy writers who do variations on a theme. I like reading those books, but in practice, I can't do it.
The only superstition I have is that I must start a new book on the same day that I finish the last one, even if it's just a few notes in a file. I dread not having work in progress.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
I soon realized that it is not enough for a master simply to analyse variations scrupulously just like an accountant. He must learn to work out which particular moves he should consider and then examine just as many variations as necessary - no more and no less.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
We need variations, variations in not just attempt but in flickers' attempts as well. I mean, a flicker needs to use different angles, pace to keep the opposition defence guessing.
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
To me I think artists in general make a statement - and for the rest of their lives - every album, every book - are variations on a theme.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
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