A Quote by John Lennon
If [Sean] doesn't see me a few days or if I'm really, really busy, and I just sort of get a glimpse of him, or if I'm feeling depressed without him even seeing me, he sort of picks up on it. And he starts getting that way. So I can no longer afford to have artistic depressions. If I start wallowing in a depression, he'll start coming down with stuff, so I'm sort of obligated to keep up. And sometimes I can't, because something will make me depressed and sure as hell he'll get a cold or trap his finger in a door or something, and so now I have sort of more reason to stay healthy or bright.
Quote Topics
Afford
Artistic
Because
Bright
Busy
Cold
Coming
Days
Depressed
Depression
Door
Down
Even
Feeling
Feeling Depressed
Few
Finger
Get
Getting
Glimpse
Healthy
Hell
Him
His
Just
Keep
Longer
Make
Me
More
Now
Obligated
Picks
Really
Reason
Reason To Stay
Sean
See
Seeing
Something
Sometimes
Sort
Start
Starts
Stay
Stuff
Sure
Trap
Up
Wallowing
Way
Will
Without
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Related Quotes
The thought sometimes - the unpleasant thought sometimes creeps up on me here as to whether perhaps Khrushchev was not invited here to enable you to sort of rub him in your sauce and to show the might and the strength of the United States so as to make him sort of... so as to make him shaky at the knees. If that is so, then if I came - if it took me about 12 hours to get here, I guess it'll just - it'll take no more than about 10½ hours to fly back.
For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.
My boyfriend's a musician, and I think when he's on stage is the only time he's not worrying. And so that's the reason he keeps doing it is because it gives him that sort of experience of weightlessness that I only get out of being sort of, deep into writing something or really lost in a moment on set, like it's available to me in these select moments through my work.
Getting recognized is sort of weird anyway. I'm 17 now. You get the odd person sort of shouting out "Ron!" or something. And my hair at the moment sort of stands out a bit, can't really avoid it.
My son was staying with me, and we got up to watch it, just before they announced supporting actress, he came up and put his arm around me. I think it was like, 'Either way, mom, I still love you.' But then it was funny because I saw it. I saw my picture, and I heard them announce it, but I had to ask him, 'Did I really see that?' I wasn't sure I was seeing it, but he assured me that yes, I was nominated for the Academy Award. We just sort of cried a little bit.
I'd been depressed before, of course. But I'm talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I'm talking about the kind of depressed that floats in upon you like a fog. You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
I've been a freelancer my whole life. It's sort of been my ethos that wherever something takes me, it takes me, so, that was really the start of me trying my hand at whatever it was at the time. I've gone from doing sculpture to videos to being a set builder and working for a general contractor to jewelry maker to now, a rapper... I just love to create. I've had a stint doing pretty much everything! It sort of doesn't matter what it is, as long as I'm doing it. I love to see something from conception to final product. I love trying new things and seeing them through.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I believe in spiritualism. It's like, when you listen to music or something and then you're sort of primed. If you're an artist, you're sort of primed and inspired, and you start drawing, you sort of have the spirit of what you're listening to, still in you. You just have sort of an inspiration.
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
At the beggining of my career, for me the comedy circuit was a combination of desperation and the fact that it was something I could do. I sort of meandered and really had no idea what I was going to do with my life. I had a go at stand-up, and I was sort of okay at it. I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me. So I'd say it was probably more about that than anything.
I sort of ended up in Los Angeles by accident. And it was sort of terrible to be jostled into this position of a fame-hungry starlet. Which is so honestly not me! In fact, I could use a bit more of that because I am such a hermit! So I allowed myself to get really bothered.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
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