A Quote by John Lennon

Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.
I think everyone mentions Bob Dylan, but he's someone I just admire so much as a songwriter. I think people write songs, and then there's Bob Dylan songs. He's one step ahead of just everybody else.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I learned Neil Young songs, Bob Dylan songs and older songs. It wasn't until I moved to Philly that I had aspirations to maybe forming a band.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
Lolita' was written at a time when we were heavily listening to more dance, electronic, and trance, and then on the flip side we were writing country-pop songs like 'Born Bob Dylan' or our acoustic songs, or trip-hop.
I listened to a lot of Bob Dylan songs to see how he works. I've gotten into writing story-songs.
The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
My family influenced me very deeply because my dad came from a musical background, from the hillbilly music part of it, and all that music came over from Scotland and Ireland and England in to the Appalachian Mountains and Ozark Mountains, where I was raised.
I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time.
I know there's some kind of history to mountain music-like it came from Ireland or England or Scotland and we kept up the tradition.
Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
Except in these latter-day songs, [Bob] Dylan is a grizzled old prophet who's already been to hell and back.
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