A Quote by John Lewis
I wanted young people to know that I was just a typical child.
Related Quotes
I was always torn between wanting whatever I pictured as a typical high school experience and that being just a part I wanted to play. I've written about this, but one of those typical high school experiences was drill team. Like, I just really wanted to wear a uniform and get on the bus and be part of this group. As an only child, the idea of blending in - and literally everyone being in sync and not standing out at all - felt like kind of a fun family thing.
Nobody would seriously describe a tiny child as a Marxist child or an Anarchist child or a Post-modernist child. Yet children are routinely labelled with the religion of their parents. We need to encourage people to think carefully before labelling any child too young to know their own opinions and our adverts will help to do that.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child, and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
At the time I learned drums, I wanted to be the drummer of Hanson. I wanted to be this guy because he was so young, and he was already drumming in the band, you know, so I just wanted to be like him. And later, I discovered hip-hop music at boarding school.
When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.
I have been poor and I wanted to document poverty; I had lost a child and I was obsessed with birth; I was interested in politics and I wanted to know how it affected our lives; I am a woman and I wanted to know about women.
From a very young age, I felt a spiritual, visceral, instinctual connection with 'black is beautiful.' Just the black experience and wanting to celebrate that. And I didn't know how to articulate that as a young child.
Growing up, I wanted to be a musician. My mother, in typical Filipino-mom fashion, would always make me go up in front of people at parties to sing. Back then, as a kid, I was mortified. In retrospect, I see that doing that as a child helped me get over my fear of being in front of people.
I mean everything's a lot more smoother. It's just calm. IN the beginning, I had the typical attitude of a young rapper makin money... ya know I was the partyin guy... I was the guy wit the girls... all the extra that came wit the game...it's up to the artist to know when to say when. You can't live that kind of lifestyle forever. ...I learn from the other people's mistake. I know when to say no. You learn to make the right decisions and pick the right choices. That's all that's really changed.
I wanted to write a book specifically aimed toward young people. I wanted to write a book that anybody can read and enjoy, but I did want to aim it at young people and, even more specifically, urban young people.
Boy lovers and the lesbians who have young lovers... are not child molesters. The child abusers are priests, teachers, therapists, cops and parents who force their staid morality onto the young people in their custody.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
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