A Quote by John Lithgow

I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard. — © John Lithgow
I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
In every tragedy, an element of comedy is preserved. Comedy is just tragedy reversed.
Comedy is an intellectual affair, and deals chiefly with logic. Tragedy is an emotional affair, and deals chiefly with value. Horace Walpole once said that "life is a comedy to the man who thinks and a tragedy to the man who feels." Comedy is negative; it is a criticism of limitations and an unwillingness to accept them. Tragedy is positive; it is an uncritical acceptance of the positive content of that which is delimited. Since comedy deals with the limitations of actual situations and tragedy with their positive content, comedy must ridicule and tragedy must endorse.
Most of my films - if you look at the tone, apart from 'Shadows,' which is straight-up comedy - the tone is a mix between comedy and pathos, and I really love that.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
I'd love to continue my career in Hollywood - I'd love to do another action film, or a romantic comedy, or horror. I love horror films.
and when he catches me off guard and says 'i love you' i catch him off guard and say 'i need your help.
The lack of opportunity is ever the excuse of a weak, vacillating mind. Opportunities! Every life is full of them. Every newspaper article is an opportunity. Every client is an opportunity. Every sermon is an opportunity. Every business transaction is an opportunity, an opportunity to be polite, an opportunity to be manly, an opportunity to be honest, an opportunity to make friends.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
My idea is to provide maximum entertainment to audiences who want to experience the horror factor, laced with comedy that provides the relief.
I love the opportunity to use my full range, and so playing in the comedy 'Black-ish' gives me the opportunity to show my lighter side, and playing in this beautiful, elegant horror story of 'Hannibal,' I get to use my darker and more cerebral side. It's really wonderful.
I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.
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