A Quote by John Lithgow

I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
If you grow up in Britain, you just do Shakespeare. If you go and work in a theater once or twice or three times in your life, you're going to end up doing a Shakespeare, because he's obviously such a brilliant, brilliant writer.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
I actually grew up seeing a lot of classical theater - a lot of Shakespeare - but I have such a passion for music and find that way of telling a story to be really compelling as well.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I grew up with gay family members, and I went to a performing arts high school. So I grew up in children's theater, musical theater, and all of my life has been around the LGBT community.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
I wasn't a musical-theater kid. We went to plays at school and took field trips to see Shakespeare. And that really sparked that fire for me, and so that's still going, and I haven't given up on it.
I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.
It was an outdoor Shakespeare theater that I grew up at. That feels like home, and the place I'm always trying to figure out how to get to.
My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
One of the things that gives me a lot of pleasure about both the solo show and the book is that it tells people about my dad. He really was an important man. He was a kind of pioneer of regional theater. He was the first American producer to ever produce all of Shakespeare plays.
I love the theater and I particularly love the classical theater and I love doing Shakespeare. It pays the soul, but it doesn't pay the rent.
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