A Quote by John Lithgow
I find I have to walk a little faster in public these days, but it's very easy to remember when nobody had any idea who I was.
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I remember the first Wrestlemania; I was four years old. Nobody had any idea what it would become.
I remember early on, in my very, very early days, I had a makeup artist tell me that I needed to get an attitude. I had no idea what he was talking about.
In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.
The whole notion of passwords is based on an oxymoron. The idea is to have a random string that is easy to remember. Unfortunately, if it's easy to remember, it's something nonrandom like 'Susan.' And if it's random, like 'r7U2*Qnp,' then it's not easy to remember.
The problem Philip Morris had with electronic cigarettes since the beginning of development was the satisfaction of the smoker. Because the taste is dramatically different and, at the initial stages, the nicotine pharmacokinetics were very slow. You could not get the satisfaction. It's not so easy to crack this code. The taste satisfaction is very important. The closest you are to this, the more chances you have to switch people. It's very nice to have a zero-risk product, but if nobody uses it, you don't have any reduction in public health risk.
I mean come on. Do you know how easy it is to be famous these days? Do you have any idea? The web has made it plausible to have your very own platform to stand and spew nonsense from on an hourly basis. There's an old saying: when everyone is special, no one will be. These days, everybody thinks they're special, so no one really does anything to be special anymore.
The idea of going to school to be an art critic is a very crazy idea. I educated myself in public, which is a very painful way to learn - by writing and then discovering that I don't know what the f**k I'm talking about. But you remember the lessons vividly.
I am nostalgic for those man-behind-the-curtain days when someone could get away with impersonating Kubrick because nobody had any idea what Kubrick looked like.
Look, nobody is born with a sociology degree, and no one can understand all perspectives. Nobody's going to get it all from the very start. But the Internet at least allows everyone to hear these perspectives at a much faster rate than if we had to do it without it.
I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
No one paid any attention to how things looked, and as they moved faster and faster everything grew uglier and dirtier, and as everything grew uglier and dirtier they moved faster and faster, and at last a very strange thing began to happen. Because nobody cared, the city slowly began to disappear. Day by day the buildings grew fainter and fainter, and the streets faded away, until at last it was entirely invisible. There was nothing to see at all.
When you're directed by social media, I think it's very easy to lose a sense of agency. And you can see it when you go to any subway station, you walk down any street in a city, you will see 70-80 percent of people staring into their phones as they walk or stand.
The most important thing for me is to walk the little alleys of the city, to find the little alcove where someone is cooking something, and just watch them do it. That's my idea of fun.
What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.
What we find is that if you have a goal that is very, very far out, and you approach it in little steps, you start to get there faster. Your mind opens up to the possibilities.
The largest fear in the world is to speak in public. We fear of stumbling, or public humiliation, and so we're fearing a face-to-face rejection. So, we'll say things in a text or e-mail that we would never say face-to-face. So, relationships are coming together faster and breaking apart faster, and they're a little bit more disposable.
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