A Quote by John Lithgow
I'm a con artist in that I'm an actor. I make people believe something is real when they know perfectly well it isn't.
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Having children has helped me become a better actor because they remind you to play make believe. It's the ease and naturalness of their beings. They just play and it's completely real for them at the time. As an actor, if we do it well, we make you believe.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
People go into that arena, and they know the fix is in. They know what pro wrestling or sports entertainment is. That being said, they want it executed to the highest level so that they can suspend their disbelief and buy in, and so, in a world of make believe, you make people believe in you. It's as real as it can be.
But the downside of being con artist is that it very hard to con. Even if the lies you tell are to yourself.
It's an incredible con job when you think about it, to believe something now in exchange for something after death. Even corporations with their reward systems don't try to make it posthumous.
Who is going to believe a con artist? Everyone, if she is good.
We are hammered 24/7 with the "far left" and "far right" points of view, pounding us, beating us upside the head with purely political theatrics in order to make us believe it's real. It's not real. It's a con!
The problem is not that religious people are stupid. It's not that religious fundamentalists are stupid. I happen to think that you can be so well educated that you can build a nuclear bomb, and still get--and still believe that you will get the 72 virgins in paradise--that is the problem. The problem is that--religion--because it has been sheltered from criticism as it has been--allows people--perfectly sane, perfectly intelligent people--to believe en masse, what only idiots or lunatics could believe in isolation.
In the old days, a con man would be good looking, suave, well dressed, well spoken and presented themselves real well. Those days are gone because it's not necessary. The people committing these crimes are doing them from hundreds of miles away.
I think the Con-Con issue is really diversionary. I've always been against Con-Con, from the very first the time the idea was raised. Everybody knows that.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
You have no ambition, I well know. Your wishes are all moderate.' 'As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy, but like every body else it must be in my own way. Greatness will not make me so.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
A record can make an artist sound in tune or make the music sound pretty. But the real test is performing live, and I think we pass fairly well, because people keep asking to see us play.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
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