A Quote by John Lithgow

Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music. — © John Lithgow
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music
We would also go to musicals. So Singing In the Rain, On the Town, and West Side Story. Especially West Side Story because played that a lot before VCRs, so that would be something that would be a big deal if it came on, you caught it. So that really started, my family was not in show business at all but really loved that kind of thing.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
I grew up watching the films of 'Carousel' and 'Oklahoma' and 'The Music Man' and 'My Fair Lady' - all the classic musicals of that golden era, The sort of more modern musical theater, or what was modern when I was at a ripe teenage age, I wasn't really listening to that stuff. I was really more raised on the classics.
'West Side Story' is one of the greatest theatrical experiences I've had.
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.
I got started as an actress doing musical theater, and I always loved 'Grease' and 'West Side Story,' and all those kind of movies.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
I love musicals and music driven films, and my first instinct is to tell the story. And when music is a big part of the action I can literally make the story sing!
I think 'West Side Story' is one of the greatest, if not the greatest, musicals ever put onscreen - or stage, for that matter. I, frankly, like Zeffirelli's 'Romeo and Juliet' very much, too. I grew up with that... I loved it. I loved the score; I loved the acting.
The best movie theater in the world is in a dingy basement on Manhattan's Upper West Side. The worn seats are painful. There are probably bigger screens in half the apartments in the complex above the theater. And forget Fandango; the theater barely has a website. You want to buy a ticket? Get in line.
I would like, if I can, to broaden the possibilities of the musical theater. I think there's a better 'Oklahoma!' someplace, a better 'West Side Story.' And I'd like to be mixed up in it.
The West has never been all of the world that matters. The West has not been the only actor on the stage of modern history even at the peak of the West's power (and this peak has perhaps now already been passed)... It has not been the West that has been hit by the world; it has been the world that has been hit - and hit hard - by the West.
If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
When I was young and growing up in New York, my parents took me to children's theater quite often - elaborate presentations of 'Goldilocks' and 'Rapunzel' for Upper East Side kids. As I grew older, they took me to adult theater, mostly musicals.
Budapest is a prime site for dreams: the East’s exuberant vision of the West, the West’s uneasy hallucination of the East. It is a dreamed-up city; a city almost completely faked; a city invented out of other cities, out of Paris by way of Vienna — the imitation, as Claudio Magris has it, of an imitation.
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