A Quote by John Lithgow

My very first role was when I was 2 1/2 years old; I was one of Nora's children in 'A Doll's House,' with my father playing Torvald. — © John Lithgow
My very first role was when I was 2 1/2 years old; I was one of Nora's children in 'A Doll's House,' with my father playing Torvald.
I met my father for the first time when I was 28 years old. I made up my mind that when I had children, my children were going to know who their father was.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
I relate to Nora's transformation in Henrik Ibsen's 'A Doll's House,' and I also relate to both sisters' journeys in John Madden's film 'Proof.'
I first started playing when we moved from my first house to a house that had a hoop out in front. Every day, I was in front of the basket shooting balls. The basket was regular height, and I was about 5 years old.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
The first film I was in was called 'Straight Time.' I was five-years old, and I was playing my father's son.
I lost my father when I was 13 years old. He was a great man, my father, and very intelligent. I love him very much. I believe it's very important that parents have a personal connection with their children. It helps kids feel more secure, have a feeling of family, makes them feel loved.
Of course, my father was a soccer player. He used to play very good. Then, when I was young, eight or nine years old, ten years old, I just want to be like my father.
I'd love to tackle a classic Shakespeare play or take on Nora Helmer in 'A Doll's House.' Musical theater, it's the classics like Rodgers and Hammerstein and Cole Porter's 'Kiss Me Kate.' I'm much more a Julie Andrews-type soprano than an Idina Menzel.
My father taught me poker at a very young age and I've been playing for money since I was 14 years old.
I'd like to play something classical. I'm in the Strindberg society, and we do readings of Strindberg plays. I'd love to do Nora in 'A Doll's House.' And Chekhov. I have been working back to back on what I call 'regular jobs,' so it's hard to do plays.
I lost my father was I 10 years old, and I always looked for a father. I missed my father very much.
At the age of seven, I wanted a doll with blonde hair and blue eyes like other girls in my class. But my father gave me a black doll and said 'black is beautiful.' Telling this to a seven-year-old was quite peculiar, but these were the values we inherited from him.
My first memories are from when I was very little, maybe three or four years old playing in my neighbourhood at home. I can picture myself with the ball at my feet from a very young age.
In 'Citadel,' I play a very young father. When I first signed onto 'Hunky Dory,' I was actually 18 years old.
I got my first trumpet when I was six years old, from Al Hirt. My father was playing in Al Hirt's band at that time.
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