A Quote by John Lloyd Young

It was a surprise to me and a happy accident that it was such a skill [natural falsetto] - a latent skill and that there was a way to exploit it. And it was a key to playing great role Frankie Valli in such a huge show.
I think you couldn't do this role or you couldn't be Frankie Valli himself unless you had a natural falsetto. And I had sort of discovered it by accident as a child or a young adult when you realize you have a special skill that you don't really have any use for you, and you just take it out at parties or to amuse your friends or to annoy your girlfriends.
In my experience, the skill of success breaks down into three things. The skill of marketing. The skill of sales. And the skill of leadership.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.
Skill at helping people grow spiritually, like skill at playing chess, depends on understanding and valuing differences.
Happiness is a skill, emotional balance is a skill, compassion and altruism are skills, and like any skill they need to be developed. That's what education is about.
I was thinking of the Four Seasons, Frankie Valli and the Four Seasons, and when I was thinking "Uptown Girl!" I was trying to sing like Frankie Valli. They had a song called "Ragdoll," which was about a poor girl and a rich guy. So I just flipped it around and made it about a rich girl and a poor guy.
There are a lot of guys out there with skills who have not contributed to the evolution of the instrument. It's about more than that...it's an emotive language, an aesthetic. Skill is an aspect, but it's what you do with that skill, or say with that skill, that matters.
Competition is what keeps me playing the psychological warfare of matching skill against skill and wit against wit.
There is great skill in knowing how to conceal one's skill.
My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
I'm very happy to be associated with Playing 11; fantasy gaming is growing very rapidly and Playing 11 is a great stage for people/users to use their skill, create enthusiasm, fun from the comfort of your device.
I'm a natural baritone, so I had challenges in that middle range, which would be that tenor area, singing in my natural voice. And I worked on that. But basically the falsetto thing, I didn't even know it was a falsetto until a music teacher commented on it, that I had a very nice falsetto. I didn't even know what it was. I said, 'Oh, OK.'
Franchise T20 competitions are great and the skill level is very high, but playing for your country is a huge honour and T20 is so popular that it should be recognised as an international game.
Happiness isn't a state, it's a skill. It's the skill of knowing how to take what life throws your way and make the most of it.
Your ability to name every single variation of Kryptonite and every first issue in which it appears is a great pop quiz skill, but is not a great writing skill, all right? So just because you can do that doesn't mean you know how to write.
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