A Quote by John Lloyd Young

I've learned to keep my work on the stage or on the screen. — © John Lloyd Young
I've learned to keep my work on the stage or on the screen.
You just have to re-wire your brain when you’re shifting from the stage to the screen, or the silver screen or the HD flat screen.
You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.
A lot of actors will complain about the green screen work, but what you do get to do is what you probably should have learned, from the beginning, on stage. You have to create it in your mind and really go there to bring it. Part of the fun of acting is those challenges. You feel goofy, but sometimes that's a good feeling.
I learned about the strength you can get from a close family life. I learned to keep going, even in bad times. I learned not to despair, even when my world was falling apart. I learned that there are no free lunches. And I learned the value of hard work.
I've learned a lot about stage-managing for illustration. Sometimes you have to delete characters from a scene just to keep from overcrowding the image. I've also learned to making big-scale design decisions early.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.
I think the idea of embodying the physical presence of a character is the same on stage and screen. There are just different levels of expression to keep in mind for each platform.
If a hip-hop artist can get on stage and entertain an arena full of 30,000 people and keep their attention for 45 minutes, imagine that on a big screen.
Anything back in New Orleans is definitely nostalgic. I really played my first shows of my life and learned to perform here. I learned how to work a stage and how to connect with a crowd. It all started here.
Fame is a weird thing. I think maybe I learned to never get too big for your boots. Keep your feet on the ground and keep your head down and work hard - that's probably what I learned from my parents more than anything. Remain generous and kind, and have humility.
It's not a natural translation, transition, to take something from stage to screen. Onstage your action is communicated through the spoken word primarily, and on screen it's communicated through pictures. So it's always been kind of unnatural to take something that lives on the stage and turn it into moving pictures.
I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.
I find that the skills and the muscularity required to be on stage, you need to keep those up - I do, personally, in order to maintain your ability to perform on screen. You don't want to always be working in the one medium.
Like David Bowie, Madonna visualizes music so that her best work seems equally designed with the stage or screen in mind - not just the jukebox.
I learned that hard work is everything. As long as you keep working, keep working and keep working, you will get where you wanna go.
This site uses cookies to ensure you get the best experience. More info...
Got it!