A Quote by John Locke

So difficult it is to show the various meanings and imperfections of words when we have nothing else but words to do it with. — © John Locke
So difficult it is to show the various meanings and imperfections of words when we have nothing else but words to do it with.
The kingdom of God is not in words. Words are only incidental and can never be fundamental. When evangelicalism ceased to emphasize fundamental meanings and began emphasizing fundamental words, and shifted from meaning to words and from power to words, they began to go down hill.
The meanings of words and the uses of words come from practice from the way people in a given culture use those words.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
Long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings . . . but short words were slippery, unpredictable, changing their meanings without any pattern.
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
Language, after all, is organic. You can't force words into existence. You can't force new meanings into words. And some words can't or won't or shouldn't be laundered or neutered. Language develops naturally.
Without precise meanings behind words, politicians and elites can obscure reality and condition people to reflexively associate certain words with positive or negative perceptions. In other words, unpleasant facts can be hidden behind purposely meaningless language.
The usage of the words "public" and "public sphere" betrays a multiplicity of concurrent meanings. Their origins go back to various historical phases and, when applied synchronically to the conditions of a bourgeois society that is industrially advanced and constituted as a social-welfare state, they fuse into a clouded amalgam. Yet the very conditions that make the inherited language seem inappropriate appear to require these words, however confused their employment.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
I’m not too keen on talking. I always have the feeling that the words are getting away from me, escaping and scattering. It’s not to do with vocabulary or meanings, because I know quite a lot of words, but when I come out with them they get confused and scattered. That’s why I avoid stories and speeches and just stick to answering the questions I’m asked. All the extra words, the overflow, I keep to myself, the words that I silently multiply to get close to the truth.
When the music created by the sounds and ordering of the words matches the thrust of the meanings of the words, then a radiant state of awareness can occur.
For me, words are just words, nothing else.
For me, words are just words, nothing else
Words are difficult and photography takes the words away from things. It's difficult to talk about something that seems to come very naturally to you, to explain a process. A moment is really difficult to put on paper.
English is such a deliciously complex and undisciplined language, we can bend, fuse, distort words to all our purposes. We give old words new meanings, and we borrow new words from any language that intrudes into our intellectual environment.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
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