A Quote by John Loengard

When I go to photograph somebody, they say, "What do you want me to do?" Those are the most frightening words in the English language. I want to say, "Please, go over into good light and do something unusual.
It was Ronald Reagan who used to say that the 10 most frightening words in the English language are, "I'm from the federal government, and I'm here to help."
My mom made me read a ton of books, so I got good at words and understood the English language. So when I started rapping, words were something I knew. I learned how to manipulate them so that I could say whatever I wanted to say.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
We never say so much as when we do not quite know what we want to say. We need few words when we have something to say, but all the words in all the dictionaries will not suffice when we have nothing to say and want desperately to say it.
I wish that every Latter-day Saint could say and mean it with all his heart: 'I'll go where you want me to go. I'll say what you want me to say. I'll be what you want me to be'. If we could do that, we would be assured of the maximum happiness here and exaltation in the celestial kingdom of God hereafter.
Somebody has to go polish the stars, They're looking a little bit dull. Somebody has to go polish the stars, For the eagles and starlings and gulls Have all been complaining they're tarnished and worn, They say they want new ones we cannot afford. So please get your rags And your polishing jars, Somebody has to go polish the stars.
Which way did they go, Peeves?" Filch was saying. "Quick, tell me." "Say 'please.'" "Don't mess with me, Peeves, now where did they go?" "Shan't say nothing if you don't say please," said Peeves in his annoying singsong voice. "All right- PLEASE." "NOTHING! Ha haaa! Told you I wouldn't say nothing if you didn't say please! Ha ha! Haaaaaa!" And they heard the sound of Peeves whooshing away and Filch cursing in rage.
Most photographers go and photograph something that they see, that exists, and that somebody else has created - they document it. But fashion photographers have to create what they're going to photograph. We have to go into the thought and build it up, get a girl, get a guy, get a situation, get the house, get the decor. It's the meaning of the word photography: "writing with light."
The English language lacks the words 'to mourn an absence.' For the loss of a parent, grandparent, spouse, child or friend we have all manner of words and phrases, some helpful, some not. Still, we are conditioned to say something, even if it is only 'I am sorry for your loss.' But for an absence, for someone who was never there at all, we are wordless to capture that particular emptiness. For those who deeply want children and are denied them, those missing babies hover like silent, ephemeral shadows over their lives. Who can describe the feel of a tiny hand that is never held?
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
I want a strong man, but a gentle one. And, most unlikely of all, but most essential, I want a man with a capacity for love - to give it generously and accept it joyously. I also want somebody who, when I say, "Let's call it quits," won't hang on; who'll say, "All right, it was fun while it lasted. So long and good luck."
You want to be the first to do something. You want to create something. You want to innovate something...I often think of Edison inventing the light bulb. That's what I want to do. I want to drive over the bridge coming out of New York there and look down on that sea of lights that is New Jersey and say, `Hey, I did that!'
In Buenos Aires, I have a very close friend who speaks very good English, and she taught me. It was quite difficult because the muscles of your mouth are used to your language, and then when you want to speak another language, they don't go to the place they need to go to make the sound.
You know good and well that you don't want a problem like that, you gon' make someone around me catch a body like that. Ohhh, don't do it! Please don't do it. Cause one of us goes in and we all go through it. And Drizzy got the money, so Drizzy gonna pay it. Those my brothers, I aint even gotta say it, that's just something they know
I have this theory that the more important and intimate the emotion, the fewer words are required to express it. For instance in dating: 'Will you go out with me?' Six words. 'I really care for you.' Five words. 'You matter to me' Four words. 'I love you.' Three words. 'Marry me.' Two words. Well, what's left? What's the one most important and intimate word you can ever say to somebody? 'Goodbye...'
So you want another story?" Uhh... no. We would like to know what really happened." Doesn't the telling of something always become a story?" Uhh... perhaps in English. In Japanese a story would have an element of invention in it. We don't want any invention. We want the 'straight facts,' as you say in English." Isn't telling about something--using words, English or Japanese--already something of an invention? Isn't just looking upon this world already something of an invention?
This site uses cookies to ensure you get the best experience. More info...
Got it!