I couldn't write a happy movie or romantic comedy to save my life. Yes, Noel Coward's an idol, but his plays are serious to me. 'Private Lives' and 'Design for Living' both have an edge. Without psychoanalyzing myself, I think I exorcise my demons in my work.
I've rarely gotten a good review in my life, yet, to paraphrase Noel Coward, I am happy to console myself with the bitter palliative of commercial success.
I'm not temperamentally into high comedy. I'm not a Noel Coward kind of girl.
I write to understand my circumstances, to sort out the confusion of reality, to exorcise my demons. But most of all, I write because I love it!
People would think I wouldn't like Noel Coward. I think he was the original punk in a lot of ways. You know. Saucy. Doing his own thing.
The Warrior lives a life full of adventure, living on the edge of opportunity. Life on the edge keeps him in a space of heightened awareness and totally in the moment; therefore no matter what comes his way he is always prepared.
I'm a huge romantic comedy fan and have been in this business for 17 years and I think for all 17 I'd hoped and dreamed and wished to some day be in a romantic comedy myself.
I think both of my parents are unique in the way they don't live their lives as celebrities. They're both artists, first and foremost. My mom lives a very private life. So does my father. You don't really see them in the tabloids or anything like that. I think that's definitely a decision you can make.
My goal on my bucket list is to write a romantic comedy movie.
I do think comedy needs to be a living thing, but I think without a great script and fully realized characters, you cannot keep it living. Otherwise, it just becomes long and rambling, indulgent. So I think you need both, frankly.
Standup comedy is inordinately difficult. If doing something else for a living will make you equally happy, choose that instead. I'm serious. Comedy is punishing.
I'm not trying to be evasive, but when I say yes and no, I say 'yes' because there are narrow-minded people that won't look past the logo and 'no' because 'American Idol' put me in front of millions of people and I would not have a career without 'Idol.'
I'm not trying to be evasive, but when I say yes and no, I say 'yes' because there are narrow-minded people that won't look past the logo and 'no' because 'American Idol' put me in front of millions of people and I would not have a career without 'Idol.
Not careers alone make people happy. A successful professional life and joy in work are certainly a part of it, but I couldn't be happy without a fulfilling private life.
I've done some movies because I would regret them if I didn't, but other projects I've done because they've scared me or if I felt I needed to do a big romantic comedy to help me professionally. Then I'll take a teeny movie when I need to work on myself and become a better actor.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
Business, life itself, is damned hard work if you wanna be good at it. Actually, that's precisely wrong. Business ceases to be work when you're chasing a dream that has engorged you. ("Work should be more fun than fun" - Noel Coward.) And if the passion isn't there. then biotech and plumbing will be equal drags.