A Quote by John Lone

So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company. — © John Lone
So, I lived at the Beijing Opera, I ate there, I learned a craft. And the money we made went into the company.
I lived in Nashville for about five years. It was almost like me going to college for my craft. I immersed myself in the songwriting community there. They embraced me, and I made some real friends but also learned so much.
The opera always loses money. That's as it should be. Opera has no business making money.
I was a professional gambler. When I lived in London, there were a couple of years when I didn't really earn money doing anything else. I mean, I did other things: like, I made work, and I was working with Derek Jarman at the time, but the way I made money was putting money on horses.
One of the things about Derek Jarman was that he was a painter who worked alone when he painted, but I firmly believe that one of the reasons he made films was for the company. He made filmmakers of all of us, that's the truth. I don't mean he necessarily made directors, but he made us filmmakers. Because we lived in a state of mutual responsibility for what we made.
Our company has only been active in Beijing and Shanghai, two very market-dominated cities. This was an advantage. Land is purchased here in public auctions, in a transparent way. When you do real estate development outside Beijing and Shanghai it is good to have "guanxi" - good relations within the local government.
For the first year I lived in New York, I never ate out. I literally just ate lentils and brown rice at home. Sometimes I'd treat myself to this half chicken from Chinatown that cost $3.50.
Misery loves company. This is a Hollywood soap opera, and I'm not going to be a star in another Bryant soap opera.
Take opera for example - to go to the opera you have to dress up in a tuxedo and pay lots of money.
I have not lived as a woman. I have lived as a man. I've just done what I damn well wanted to, and I've made enough money to support myself, and ain't afraid of being alone
We were advised that nobody could stop us from pursuing our craft simply because we had honed, or even developed that craft while working at a company.
I grew up in a family where our mother made our clothing. We didn't have a lot of money, so we learned how to scrimp, and we learned how to invent and to create. And those are learned skills.
When I left WWE the first time, I made almost the least amount of money I made with any company.
Why are we here? I think many people assume, wrongly, that a company exists solely to make money. Money is an important part of a company's existence, if the company is any good. But a result is not a cause. We have to go deeper and find the real reason for our being.
We swung over the hills and over the town and back again, and I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know -- that no horizon is so far that you cannot get above it or beyond it.
On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich.
Artists shouldn't be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance... It is man-made so the press can feed off it.
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