A Quote by John Lone

When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over. — © John Lone
When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
I did the David Cronenberg film, A History of Violence, with Viggo Mortensen and I played a real sociopath. For the next seven years, I played the psycho-of-the-week.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.
I met Tom Baker doing a voice-over when David [Arabella's friend, David Tennant] wasn't at all well known. We were doing this voice-over together and I said to Tom, 'Oh, my friend's a really, really big Doctor Who fan,' and he replied, 'Wait!' He got his cheque book out and asked, 'What his name?' I said 'David Tennant'. He wrote, 'To David Tennant, seventeen pounds forty five', signed it and I asked him what it meant. He said, 'He'll know'
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
David Cronenberg knows what we actors do as artists.
You can't compare David Cronenberg's 'The Fly' to the older version.
I can see how weird I was. One day I decided the school needed a Christmas tree and spent hours dragging this huge beast of a tree into school. No one was pleased. I got two weeks detention because I was 45 minutes late and had made a big mess of leaves and soil all over the building. All the kids just laughed at me.
One day, I'll be a crazy old lady with long rainbow hair living in the woods. I will have a rad tree house with tons of rooms for people to come over, recharge, and make art.
If anyone is tweeting right now, I'm not pulling a knife on David Cronenberg!
I like being a part of David Cronenberg’s world, I feel very at home there
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
A few years ago I lost one of my dearest friends. He died at age 53 - heart attack. David is gone, but he was one of my very special friends. I used to say of David that if I was stuck in a foreign jail somewhere accused unduly and if they would allow me one phone call, I would call David. Why? He would come and get me. That's a friend. Somebody who would come and get you.
An actor can come in with a specific energy and get it on film over several days or weeks, but as the producer, I'm responsible for the overall trajectory of the project.
A few weeks ago I went to a screening of 'Portrait of a Lady on Fire' at Utopia. I'm not a very introspective person but when I get on that stage, it feels even more overwhelming than showing my films at the Cannes film festival. Because standing there, I'm so close to my past. I can see how far I've come.
I put on about 20 pounds to play Washington, and that was really enjoyable. That's probably the most fun I've had preparing for a role. There were only two weeks between 'Sons of Liberty' wrapping and 'Complications' starting, so I had, basically, two weeks to drop 20 pounds, and that was the opposite of fun.
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