A Quote by John Lone
But as a woman, I really started feeling vulnerable on the set, and I really felt that it was important that I should not be open for invitation or making myself look as though I was waiting for something.
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My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.
Making 'The Invitation' and waiting to make it on my terms and getting final cut and doing it the way I needed to do it was incredibly challenging, but it has really been so great for me. I'm so thankful that that's happened, that I got to work with actors I really like and have just such a good experience in delving into that story.
The truth was I felt ugly growing up. I only really started feeling comfortable in myself when I was 40.
To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.
When she started crying in my rehearsal, I felt so badly because I was like, 'I'm making Kelly Clarkson cry right now,' but it also felt really good because I thought, 'If she is feeling this, hopefully, America will feel this, too.'
When it comes to MMA, there is a big chip on my shoulder. There is a way that I look at myself. I think it's really, really important, and it's something I'm not really apologetic for it. As I get older, and I win more, I start to embrace it even more.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
The goal was for me to become a civil engineer. But one day I really felt that it was important for me to do what I really loved. I was really good at engineering, but I didn't have a passion for it, so going to work was something I had to do, not something that I really wanted to do.
I love the feeling that you get when you can really laugh with a man and be natural and not always think that there's a sexual element going on. For me, flirting with a man means making fun of myself and trying to open myself and be very unpretentious.
The majority of my job is being an open channel, and if I'm not being very authentic with who I am in myself, then it doesn't feel like I can dig down deep and get to really vulnerable stuff, or stuff I have never felt before.
I think that, for a lot of us, the closer we get to showing people who we really are, that's where we feel the most uncomfortable, the most vulnerable. But it's also where the healthiest growth comes from. Like when I can really open myself up to someone and show someone who I really am, it's amazing when it happens.
I started out really making music in my dorm room, and it wasn't really producing or anything like that; it was you making something.
I started out really making music in my dorm room, and it wasnt really producing or anything like that; it was you making something.
I really love acting. I really do. I really just think of myself like a working woman. And I just go from set to set and work. You have to promote a movie; you have to work. People are going to have opinions and it's weirdly very easy to kind of block out the world because you have your own.
My activism really is for myself, because I see places in the world where I feel I should be. If there is something really bad, really evil, happening somewhere, then that is where I should be. I need, for myself, to feel that I have stood there. It feels a lot better than just watching it on television.
I have to let myself be vulnerable in order to have a good marriage. That's something I'm really going to have to work on. A lot of times I'm really guarded because of what I do for a living, what I've done in my life.
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