A Quote by John Lubbock
In this world we do not see things as they are. We see them as we are, because what we see depends mainly on what we are looking for.
Related Quotes
Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
Here's to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes... the ones who see things differently - they're not fond of rules... You can quote them, disagree with them, glorify or vilify them, but the only thing you can't do is ignore them because they change things... they push the human race forward, and while some may see them as the crazy ones, we see genius, because the ones who are crazy enough to think that they can change the world, are the ones who do.
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
To see life. To see the world. To watch the faces of the poor, and the gestures of the proud. To see strange things. Machines, armies, multitudes, and shadows in the jungle. To see, and to take pleasure in seeing. To see and be instructed. To see and be amazed. (Describing the powers of photography; written for the launch of LIFE Magazine, 1936.)
Gathering is peculiar, because you see nothing but what you're looking for. If you're picking raspberries, you see only what's red, and if you're looking for bones you see only the white. No matter where you go, the only thing you see is bones.
People pay all that money to sit in a chair in the theater mainly because it is a respectable way to see and experience things they cannot see and experience in their own lives.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
We usually see only the things we are looking for- so much so that we sometimes see them where they are not.
Everyone who has eyes to see can see that if the God of Abraham exists, He is an utter psychopath--and the God of Nature too. If you can't see these things just by looking, you have simply closed your eyes to the realities of our world.
An actor's only perception is of their character, and they're looking at one piece. A writer is looking at the entire story. They're going to see things that the writer didn't see because they're only looking through their lens.
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
Remember, folks, every one of these Republicans in Senate sees the world through the eyes of the left. Every one of these Washington people. They don't see it through the prism of their own principles and beliefs. They see the world through the eyes of the left. They see the media criticism that will be forthcoming. They see the newspaper headlines. They see what's gonna be said about them on CNN and New York Times. That's what they see. That's their world.
If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.
What we see depends mainly on what we look for.
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