A Quote by John Lutz

Florida is a great place to set a novel. — © John Lutz
Florida is a great place to set a novel.
I'll give you a great example of an issue that no one brought up during this Florida primary, the fact that we're going to have a Chinese made oil rig put in place about 60 miles off the coast of Florida.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
It's very important to set your place in a concrete environment. I think Chekhov said that the important thing when you have a play or any kind of novel is to set the roots in a concrete place.
For me, New Jersey is kind of a mythical place. It's emblematic of a certain aspect of American life. Florida is the same way. It's where people go to recreate, to reinvent themselves. It's what California used to be. I think Florida is still a place to erase the past.
Florida is kind of notorious. But also because it's a rich place. Phonetically, narratively, historically. I wanted to know Florida better and I could easily find stories. My relationship with Florida is fraught because I didn't want to be living there always, but then after I left I really missed it.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
I read all of the nonfiction that I could find on Chechnya, and all the while, I was searching for a novel that was set there. I couldn't find a single novel written in English that was set in the period of the two most recent Chechen wars.
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
Florida is a very idiosyncratic place in a lot of ways - as are many parts of our fine country, but one could say Florida is particularly idiosyncratic.
I go to Florida sometimes for vacation. I actually really like Florida. It's a weird place, it's surreal. It's so close, but you feel like you're in another world or on an island.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
Florida wants to change the state's motto to attract younger people. They're thinking about: More than just a great place to die.
I believe that tax dollars used to create a new school of engineering for Florida State University, when there is already a successful partnership in place with Florida A&M University, is counterproductive to increasing engineering graduates.
To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.
I'm a great believer in research. I have to know about a place before I write a story that is set in that place.
The philosophy of individualism owes a great deal to the tradition of novel-writing and novel-reading. In its development and in its aesthetics, the novel is not politically neutral; it has been a participant in history all along.
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