A Quote by John Lydon
I'm not limited to categories or genres. Anything human beings come up with fascinates me. If a three-legged idiot like me can dance to it, then that's all well and fine.
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Dance fascinates me, and it is perhaps the most enriching audio-visual realm for a musician. Film-making also fascinates me.
For me, when we're all human beings, it's just interesting that we cannot understand the other person or how they think. That's one part of the human aspect that fascinates me.
Whenever there's a red carpet event coming up my trainer in LA that I see, I always come to her like three days before and go, 'Can you make me really thin in three days?' She's always like, 'If you come to me consistently all throughout the year, then yes I can. When you come to me with three days and ask to lose 10 pounds it's just not going to happen.' I'm like, 'Do your best. Please. Make me skinny.'
I have the best of both worlds. I have all the accolades that come with something like that video, but I don't have people stopping me on the street and being like, "Oh, my God, dance for me." I have probably only been recognized three or four times flat out - someone saying, "Are you the Evolution of Dance guy?"
The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself.
Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
AI's ability to recognize visual categories and images is now pretty close to what human beings can manage, and probably better than a lot of people's, actually. AI can have more knowledge of detailed categories, like animals and so on.
We embrace two-legged beings, and can warm to four-legged beings, too, but for most people, six legs is pushing it. Most don't need multi-eyed, antennaed face time.
I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.
They sold me a duvet cover, and I don't have a duvet, I don't think. Then, they started treating me like I'm the idiot. They're like, 'Do you have a comforter?' 'Yeah.' 'Well, you have to protect it!' I had no idea it was under attack.
Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.
Cheating tends to come up a lot in my songs. Betrayal fascinates me. I think the fact that you can trust someone so much and then they go against that has always plagued my writing for some reason.
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
DMT is a reliable method for crossing in to a dimension that human beings have debated the existence of for 50.000 years. Is there an invisible nearby world inhabited by active intelligences with which human beings can communicate? You bet. And if you don't think so, then tell me you don't think so after you've smoked 75mg DMT. Otherwise we just don't have anything to talk about.
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