A Quote by John Lydon

I always feel like a bit of an outsider myself, but as a working class lad, the system was always against me. The British system itself and then of course all the illnesses that were challenging to me.
I'd like to see a much more open Monarchy, myself. I used to think they were completely useless and we should get rid of them. I don't necessarily feel that way anymore. I'm still ambivalent, I still loathe the British class system, and the Royal family are the apex of the British class system.
I guess I always think of myself as more of the people. I always feel like a bit of an outsider.
We always said that our struggle was not only against the British as representatives of colonialism, it was against all the evil that existed in India. The evil of the feudal system, the evil of the system based on caste, the evil of economic injustice.
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
I've always - and not always happily - considered myself an outsider. Certainly at Fettes. And then the Scots are always outsiders in England. They are always putting you in your place in one way or another, and there is this pretty rigid class hierarchy.
I always loved horror as a kid. On the one hand, I really love monsters, because in a way I feel like I related to their outsider status and like the sentimental romantic plight of the monster. More importantly though I feel like people are completely motivated by fear, especially with our political system here in America which is just degenerating into more and more fear mongering and it gets in the way of real discourse, plus it's just something I'm obsessive about and have always been a little bit of a paranoid guy.
Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.
System is always System for me. If System's touring or making a record, I'm there.
I feel sympathy for the working class lad. I've always championed about ticket prices and try to equate that to people's salaries.
Having a support system is huge for writers. My parents were always encouraging and told me they were behind me, whether or not I made it in the business. My wife was always there for my successes and failures.
People have to recognise I'm a working-class lad. Forget what I've done and where I've been. I'm a working-class lad. I've come from nothing and I've not forgotten that.
I`ve been saying, even against me, the system is rigged. When I ran as a - well, for president, I could see what was going on with the system, and the system is rigged. What I`m saying is they`re not necessarily wrong. I mean, there are certainly people where unfortunately that comes into play. And I`m not saying that, I can really relate it very much to myself.
I think the thing that really started setting my career on the course that it's on is when I did '1000 Cats' on 'Funny or Die Presents' on HBO. That's what I feel like kind of got me a little bit more into the system.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.
My father was very methodical about life. He'd always ask me, 'Now, what's your system? What's your schedule like?' I have no big system, no rigid schedule. When he would ask, 'How do you do this? Give it to me step by step,' I'd try to convince him that there were no step-by-steps.
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