A Quote by John Lydon
I love books, and all the best ones are people analysing their own emotions. You can learn from that.
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I love picture books. I think some of the best people in children's books are the ones who create their own picture books. I wish I could say I'm one of them, but I'm not.
I think that school just isn't for everyone. A lot of people don't learn well when they're - have to sit in a place for eight hours. A lot of people learn best lying in their own bed, teaching themselves from books. And I was a bad student. I was a brat. If I was a teacher, I would not have liked myself.
But I do think it's important to remember that writers do not have a monopoly of wisdom on their books. They can be wrong about their own books, they can often learn about their own books.
Books can also provoke emotions. And emotions sometimes are even more troublesome than ideas. Emotions have led people to do all sorts of things they later regret-like, oh, throwing a book at someone else.
Books can be passed around. They can be shared. A lot of people like seeing them in their houses. They are memories. People who don't understand books don't understand this. They learn from TV shows about organizing that you should get rid of the books that you aren't reading, but everyone who loves books believes the opposite. People who love books keep them around, like photos, to remind them of a great experience and so they can revisit and say, "Wow, this is a really great book."
Being a footballer was about analysing performance, never being satisfied, seeing what lessons you can learn and who you can learn from.
To learn to be charming is fairly easy - you can teach somebody to be charming and to learn human emotions - or to learn the behaviors that go with human emotions. A sociopath, a smart one, will study the way we emote, and will learn how to do that quite effectively.
The real power of books is their deep companionability. We learn from them as we learn from the deep companionability of love to know our own hearts and minds better.
I don't like books that seem to want to teach me things. Which is not to say that one doesn't learn from books - but you do your own learning in your own way.
There are only two emotions: love and fear. All positive emotions come from love, all negative emotions from fear. From love flows happiness, contentment, peace, and joy. From fear comes anger, hate, anxiety and guilt. It's true that there are only two primary emotions, love and fear. But it's more accurate to say that there is only love or fear, for we cannot feel these two emotions together, at exactly the same time. They're opposites. If we're in fear, we are not in a place of love. When we're in a place of love, we cannot be in a place of fear.
I love telling people what to read. It's my favorite thing in the world, to buy books and force books on people, take bad books away from people, give them better books.
The only way you can learn is by analysing yourself and taking in your mistakes.
We all learn best in our own ways. Some people do better studying one subject at a time, while some do better studying three things at once. Some people do best studying in structured, linear way, while others do best jumping around, surrounding a subject rather than traversing it. Some people prefer to learn by manipulating models, and others by reading.
Electronic books are ideal for people who value the information contained in them, or who have vision problems, or who like to read on the subway, or who do not want other people to see how they are amusing themselves, or who have storage and clutter issues, but they are useless for people who are engaged in an intense, lifelong love affair with books. Books that we can touch; books that we can smell; books that we can depend on.
People don't really talk about falling in love anymore. And yet falling in love is the great engine that drives all the best art - or falling out of love or being heartbroken - drives all the best books, drives all the best music, and yet we've sort of stopped talking about it.
There is no single approach that actors take to their craft. And the best thing you learn is that you have to really listen and respect each actor's own process and own method, and that takes a kind of delicate, non-imposing patience and openness, I think, to get the very best out of the people you work with.
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